Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...
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Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019
Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...
The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...
“It’s the...
Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
Rising to notoriety in the ’90s with his hardcore techno DJ sets, Loftgroover had a huge following, before the pressures of popularity led him to withdraw from the scene. 30 years later, he’s back and rejuvenated as a d&b DJ. Holly Dicker learns his story
The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of
On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
Ben Cardew looks back at how Louie Vega and Kenny “Dope” Gonzalez’s rapturous 1997 homage to their musical roots
The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...
The latest and greatest DJs and producers rising to the top this month. From rich, experimental techno and ambient to festival-ready house and trance, here's...
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...
After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
The votes have been counted and the results are in! Here are the winners in DJ Mag’s Best of British awards 2021
These are the DJs set to battle it out in Vienna
Following incredible NYDJAY events in some of Europe's hottest clubs, it is time for the NYDJAY by NEW YORKER Grand Finale, which takes place at...