The mercurial, experimental music of Berlin-based, Colombian artist Lucrecia Dalt assumes another form in her new album for RVNG Intl., ‘¡Ay!’. While recent solo, collaborative...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Lucrecia Dalt spotlights ‘70s salsa, early 20th century Armenian folk music, abstract dembow, pioneering electronic minimalism and more
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DJ Mag Ibiza catches up with the former NBA basketball player-turned-DJ about his love for the White Isle
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Get acquainted with Luxe, the London-based DJ/producer exploring the hybridity of club music to develop her own sound
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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Something’s happening on the peripheries of jazz, but what do we call it? Alanna Henry delves in to find out
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For over three decades, DJ Premier has consistently proven himself to be one of hip-hop’s greatest producers. As he releases his new EP, 'Hip Hop 50: Vol 1', celebrating the genre’s 50th anniversary, he speaks to Arielle Lana LeJarde about evolving with the culture and the hip-hop/dance music connection
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After more than three decades of DJing all over the world, Carl Cox remains one of dance music’s most beloved figures. With a new album on the way, and a fresh emphasis on live performance, Bruce Tantum speaks with the king about his incredible journey so far, and his determination to keep challenging himself
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Caught between the demands of being an internationally-renowned performer and his desire for a quiet life, Australian producer Flume found balance upon returning to his homeland. Amongst nature, and with a restored sense of wellbeing, he completed his most ambitious album to date, 'Palaces'. Megan Venzin learns its story
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On Cue is our newly relaunched flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both...
Mr. Mitch is enjoying making people dance.
A move away from the delicate aesthetics of his last EP, October 2018’s ‘Primary Progressive’, Mr. Mitch’s latest...
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Dedicated to breaking down cultural binaries and taking on the music industry juggernaut, SOPHIE has obliterated the lines between underground dance music and commerical pop...
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A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.
Funk-dripped drum & bass head plays us his most inspiring tracks
Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.
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Japan is producing some of the world’s most vital techno, though its roots go way back to the late 1970s. We talk to some of...
Since the end of World War II, Western culture has loomed large over everyday life in Japan. The decades since have brought about a wide...
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Anyone who’s encountered Stephan Bodzin’s...