Queer House Party and Ravers For Palestine are hosting a livestream this week with I. JORDAN, GGI 끼, BAESIANZ and more to fundraise for striking...
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DJmag's awesome Miami parties!
HOLD YOUR HORSES, STOP THE PRESS: THIS IS THE BIG ONE! At 2009's Miami Winter Music Conference, taking place from 24th - 28th March, DJmag...
Fabric resident DJ Craig Richards is one of the world's most respected spinners. DJmag.com chatted to him about drinking, digital DJing, and his new mix...
As resident DJ of one of the world's most forward-thinking electronic music clubs – Fabric – you'd have thought that Craig Richards would be at...
Londoner Johnny Arthur is this month's pick for deck stardom. Here's his exclusive DJ mix and an interview.
"I'm pretty stoked to be signed to David
Duriez' new label," says excited
22-year-old Londoner Johnny Arthur.
The use of ghost producers is seen as cheating by many in dance music, but producers have been working with studio collaborators and engineers for...
In an era when misdirection and mistruth is commonplace, its seems natural to question the authenticity and authorship of the music we love. If an...
Willie Burns is the New York house producer everyone's raving about...
Willie Burns comes from the fringes. The US producer’s releases for Trilogy Tapes, L.I.E.S, Crème and Rush Hour have seen his left-of-centre house, techno and...
This week's online-only event is raising money for the Solidarity Strike Fund supporting artists who've lost paid work to support pro-Palestine boycott efforts
It marks the debut collaboration between the two artists
The Brighton-based modern institute recognised local hero Norman Cook as he launches The Fatboy Slim Martlets Scholarship
Let The Music Play: How R&B Fell In Love With 80s Synths explores work by Prince, Stevie Wonder, Herbie Hancock and more
The New York artist was best known for her 1987 hit single, 'Come Into My Life'
The free-to-access scheme is open to 18-24-year-olds living in Lambeth, London
"Wishing you well. AND ASKING FOR PRAYERS PLEASE."
The 1985 single has shot back up the UK charts thanks to its recent use in the latest season of the Netflix series