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If there is any downside to writing the Tech Section of DJ Mag it certainly isn't getting to see all of the latest equipment from...

“Meet me at the club,” urges the male vocal on Green Velvet & Patrick Topping’s ‘Voicemail’, the still-hot tech house update of the 2000-released original...

It starts with a whisper rather than a bang. A psychedelic symphony, the music slowly seeps in, filling the void before the first lines move...

It starts with a whisper rather than a bang. A psychedelic symphony, the music slowly seeps in, filling the void before the first lines move...

XOYO might boast about the return of the resident and Seth Troxler is declaring himself a regular at pretty much every top underground venue on...

Dave is resolutely BACK — but where has he been?

When the likes of Richie Hawtin and Chris Liebing start singing your praises you know that you’re doing something right. Techno star Rebekah is part of Berlin’s CLR gang and has been wooing crowds with her amazing DJ sets and uber cool productions.

Try to categorise Dismantle at your peril. Like his name alludes, the Brighton-based producer has been taking apart the genre boundaries at the seams and engineering his own unique blends of bass-heavy influences — which range from jump-up drum & bass and bleeping Dutch house to Bugz In The Attic-esque breakbeat and classic reggae. 


When we recently caught up with monkey obssessed Berlin electro/techno duo Modeselektor – aka Gernot and Szary - it was before their only UK date of the year.

Making his name in the 1990s as a melodic avant-garde electronic producer using pseudonyms such as u-Ziq, Jake Slazenger and Tusken Raiders, Mike Paradinas was a peer of experimental artists such as Luke Vibert, Squarepusher and Aphex Twin. In fact, he did an album with Richard D. James (Aphex), 'Expert Knob Twiddlers' as Mike & Rich, in the mid-'90s — the two producers were pictured on the cover playing Connect 4 — before launching his acclaimed Planet Mu label.


Andy Cato met Tom Findlay through mutual friends after they both left college in the mid-‘90s. Andy was making trance and was in a couple of bands, while Tom was from more of a rare groove background, DJing in Manchester clubs when he was a student.

Ableton’s award-winning software is now up to version 9, but will it still stand up against its uber slick production rivals? DJ Mag sneak a crafty peek...

Numark’s N4 controller is a slightly strange bit of kit as it brings four-deck control, as well as a host of high-end features, to a...

Lopazz has had an illustrious career working as a DJ, music producer, artist and engineer for almost 20 years, releasing on cult labels like Get...