At the start of 2020, everything was looking great for Green Valley. The Brazilian venue, which is more like a festival experience, had been voted...
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Results for: Amp Fiddler
DJ Mag Ibiza nabs Glitterbox founder Simon Dunmore for a chinwag...
The Glitterbox dancefloor is a special place. Soaked in sequins, soundtracked by the classics and dotted with drag queens, it’s one of the White Isle’s...
The dance world does the full-length once again this year...
Could 2015 be officially declared the year of the debut LP? The Revenge, Romare, Hunee, Nocturnal Sunshine are just a few acts who've taken the...
Stimming is delighting the club scene and music community with his new “4D” approach...
Stimming is an artist looking to challenge the norm, pushing boundaries with his productions and his “live” sets. Part of Solomun’s DIYnamic crew, he's made...
Danny Howells isn't your typical DJ.
"For fuck's sake, hang on a sec, I'm scanning stuff, some Visa crap. My old agent used to do it but my new agent won't...
Features
Ever since the revelations in Hollywood about film producer Harvey Weinstein, and the subsequent #MeToo stories of sexual misconduct, the dance music world has been...
THE DJ
“To be honest, it’s easier to come up with a time something sexist DIDN’T happen. There are so many instances I don’t know...
Features
Green Valley in Brazil experienced a double disaster last year. First came the COVID-19 pandemic, then the venue itself was destroyed in June by a...
Features
With a punk attitude, impressive live shows, and an ever-shifting psychedelic yet dancefloor-friendly sound, Red Axes have brought a breath of fresh air to the...
"When the sun is shining, life can be really dark,” says Dori Sadovnik, one half of Israeli gothic dance duo Red Axes. He’s talking about the...
Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...
Features
Ahead of his first ever shows as pioneering Detroit electro unit Cybotron, techno innovator Juan Atkins tells us why he’s revisiting his past — and...
Juan Atkins has always been, in his own words, “a music lover”. Growing up in Detroit, he would treat his parents’ dinner parties as an...
DJ Fresh has had a life of vertiginous highs and crushing lows — from his time in drum & bass supergroup Bad Company, to having No.1...
DJ Fresh still vividly remembers where he was the moment he knew his health was in trouble. “I was sitting in traffic on the Hammersmith flyover, driving home from the...
Features
DJ Mag’s Solid Gold series revisits and examines the ongoing significance and influence of inspiring electronic albums throughout history
Cover Features
Birmingham-via-Berlin’s techno stalwart Rebekah has conquered her demons to become one of the most in-demand DJs and producers out there. Winner of our Best Of British Best...
It’s 1997 and a 17 year old Rebekah Teasdale is just finishing work at a French restaurant in the centre of Birmingham. With 30-odd pounds worth of tips...
A sound that's all his own
The post-punk guitars, stripped-bare machine grooves and proper songs of album 'Dancers'. DJ Mag linked with Tim to talk stepping back from the dancefloor, originality...
Irreverent electronic/instrumental brilliance.
Ready for crazy but cohesive collages of classical strings, bumpy dance beats and leftfield pop hooks? You better be ‘cos Clean Bandit have ambushed the mainstream with their refreshing blast of irreverent electronic/instrumental brilliance. But they aren’t easy to pin down...
The seminal tracks that altered dance forever!
In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.