Skip to main content

Search


Results for: Andy Barker

Iceland’s Bjarki is so obsessed with making music, he’s forced himself to stop for a little while. Ahead of his new album ‘Happy Earthday’ which...

Bjarki sighs deeply. “I had to try and escape.” Years of writing 10 tracks a day has taken its toll, and he’s finally reached breaking...

The first dBridge album in 10 years pushes the boundaries of what drum & bass can be to the limit, but as we find out when we meet...

September 2018: Darren White, the artist we know best as dBridge, is in a good place. Literally, creatively, professionally, he’s in the midst of his most prolific and accelerated...

Whatever you make of it, there's no party experience in the world like Miami's WMC week. Like cramming a whole Ibiza season into one week-long...

Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday


TUESDAY 23RD MARCH


MADE TO PLAY & REKIDS @ THE WHITE ROOM
HYPE: A...

Tony Davis’ visceral photography doesn’t just capture what the UK’s early ‘90s rave culture looked like, it also manages to conjure up what it felt...

Photographer Tony Davis’ adult life has been dedicated to chronicling culture surrounding Northern Soul all-nighters, football terraces, football casuals, free party collectives and acid house...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

How Nookie's 'Gonna Be Alright (Cloud 9 Remix)’ album artwork over grey background

Nookie’s ‘Gonna Be Alright’ dropped as hardcore was morphing into jungle at the beginning of the 1990s. It lit up the raves and set Nookie up for a production career with Reinforced, Metalheadz, Moving Shadow and other key labels as the decade unfolded. Ben Murphy learns its story and speaks to Nookie about how, as the ‘20s roar into action, he is charged up all over again
 

“Just Close Your Eyes And Dream With Me / You’ll Hear The Sound Of Music” Instantly recognisable thanks to its vocal hook, Nookie’s classic tune...

Photo of colourful lights and a large crowd at Simple Things 2024

Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back

There’s always been a certain irony to Simple Things, in that, there’s nothing really simple about the Bristol festival at all. Its line-up sprawls across...

The cover of Voices From The Lake on a forest green background

First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today

It’s late summer 2011, and Italian artists Donato Dozzy and Neel are nearing the end of a three-hour drive spent listening to material they’ve recorded...

Waveform Transmission vol. 1

Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno 

Listen to a lot of older techno today and it sounds rather restrained. Brilliant, yes, and futuristic too, yet largely soft and melodic compared to...

Even the top DJs had to learn from someone. In the Top 100 set questions in the preceding pages, we asked all the DJs voted...

This month we’ve learnt who the public have voted as their favourite DJs, but who are the DJs’ favourite DJs? Who inspired them and put them...

The Sound Of: Touching Bass

Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far 

“Touching Bass is a musical movement,” Errol Anderson tells DJ Mag. “And when I say movement, I’m thinking of forward movement — energy.” Alex Rita...

Across the UK, there's a bubbling scene of young producers and DJs, re-shaping garage for a new generation of ravers. DJ Mag speaks to some...

“No matter how awful the vibe is, you can always stick a garage tune on and it’ll transform the room,” says Manchester producer and DJ...

Dutch DJ/ producer Fedde Le Grand's tips for ADE

He might be best known for putting his “hands up for Detroit” but Dutch producer Fedde Le Grand also holds a torch aloft for Amsterdam...

A guide to dance music's pre-rave past

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...

Last year, the Music Producer’s Guild (MPG) released a report that revealed that, in the past three years, 71% of sound engineers and music producers...