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Hudson Mohawke is a mystery. The shy Glasgow-born, LA-dwelling producer and DJ has made boundary-breaking music and worked with superstars, but he scarcely does interviews...

It’s a hot August morning in Los Angeles, and the sun is beating through the open door of Ross Birchard’s home studio. He smiles and...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...

Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...

Volvox is one of the most exciting names in techno right now, playing uncompromising DJ sets around the world and running the essential Unter events in New...

On entering Room 1 at the former factory building of E1 in East London, one thing is immediately striking. It’s 2am — the clocks have...

Fresh from playing our DJ Mag Sessions party in London at the end of September, house jock Andrea Oliva is the latest DJ to do...

Andrea Oliva was born and bred in Switzerland to Italian parents. And yes, he does often get confused for a member of the fairer sex...

Duke Dumont, whose new single 'The Giver (Reprise)' is out this month, is at home trying to get some music done when DJ Mag calls...

Is it true that your first official release was a remix for Wall of Sound?
“Yeah, my first ever legit music industry-related release was a...

The Labour Party's Shadow Business Secretary is also a sometime house/garage DJ too...

Chuka Umunna is one of the highest profile young politicians in the UK. But did you know that he's also a part-time DJ, these days...

Om Unit aka Jim Coles discusses his genre defying label Cosmic Bridge and their brilliant new compilation 'Cosmology'

Journalists and musicians tend to chase genres like toddlers do pigeons. It’s often a dizzying and frantic flap around in circles. So when history screams...

The London duo have broken their silence with ‘Junto,’ their seventh album, and are bringing the dance back to the dancefloor...

Simon Ratcliffe is attempting to cook tofu stir-fry for dinner at his home in London when we get a hold of him, via a fuzzy...

We decided to find out where their sound comes from — and what rattles their cages...

In 2011, a run of hand-stamped white labels announced the arrival of yet-another anonymous techno project. Going by the name Dense & Pika, the unit...

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that

Online DJ mixes may be disposable but Rotterdam techno stalwart Speedy J reckons they’re worth more than that, which is why he’s putting out an...

For two decades dBridge has been crafting next-level drum & bass, as part of Bad Company, solo, with his label Exit and fellow zeitgeist surfers...

He's made house, electro, techno, done it all, but it's still breakbeat culture he returns to time and time again...

Plus vinyl and artwork to be won

Lenzman aka Teije Van Vliet has come a long way since his first release on Nookie's Strictly Digital back in 2006. Since then the soulful d&b gent has released on Metalheadz, Soul:R, SGN LTD and many more. He is currently working on an album for Goldie's iconic label and is collaborating with graf artists to create a visual aspect to his work. We thought it was about time we got him in for a chat.

DJmag talk to the electro-funk re-edit pioneer

With a 35 year DJ career, re-edit king and electro-funk pioneer Greg Wilson holds a unique place in UK club history. 

Catch him giving at...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...