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DJ Mag charts the history of the Aus dance scene, and why the future looks bright...

Shrimps on the barbie, Crocodile Dundee, Bondi Beach, Steve Irwin, Kylie Minogue, the Sydney Opera House; Australia has always touted — for better or worse...

Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...

When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...

Since teaming up a couple of years ago, Mumdance and Logos have been smashing it. Their diverse backgrounds complement each other nicely, and now their...

'Sankofa' is both a word and symbol native to the Akan language of southern Ghana that stands for the notion that it is OK, in...

Deep, down and dirty at Worthy Farm’s sexy psychedelic playground...

This month, one of the world’s wildest clubbing spaces opens its doors again — for one long weekend only. The temporary queer autonomous zone that...

 Already a staple sound of Ibiza at DC-10 and Parisian clubs like Concrete and Rex, French house is now truly going global...

It’s August 2013 and the trio of Dan Ghenacia, Dyed Soundorom and Shonky are coming to the close of an eight-hour showcase of their trademark...

The parties not to miss at ADE 2014

Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...

<p>A dance fest on every weekend this summer, we've picked the best of the bunch...</p>

Festival season is finally here! Meaning UK clubbers can enjoy a large-scale outdoor dance event without having to jet to Mexico, Miami or Goa —...

Close up shot of Wreckno with fishnet gloves and colourful butterflies in their hair

Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars

What can’t Barbie do? Since hitting shelves in 1959, the polymer-based, pop culture icon has donned the uniforms of a pilot, astronaut, presidential candidate, and...

Jamie Jones

After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad

It was a humid summer night in June on the white isle back in 2005. Jamie Jones had just returned from Barcelona’s annual Sonar festival...

Derry-born DJ, producer and Céad label boss Or:la has had a remarkable journey so far, from throwing raves in abandoned buildings to playing the world's...

Becoming a DJ came to Orlagh Dooley in a dream. No, really. During her first year of university, Dooley had an epiphany, in the form...

Amsterdam-based brit Paula Temple is renowned for her full-throttle hybrid performances and punky industrial productions, which have earned her wide respect across the techno scene...

It feels like our world is right on the edge. Climate change is looming exceedingly large, threatening our entire species in ways we often have...

The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...

Even if you’ve never consciously set out to listen to ‘What They Say’ by Maya Jane Coles, you’ve almost certainly heard it before. Over the...

After reflecting on how we can tackle the issues within the electronic music industry as a publication, we deliver our pledge to you, presenting significant...

Read our latest update here. Since DJ Mag was founded in 1991, we’ve been devoted to covering dance music culture: first as a magazine, later...

ESG logo

When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story

One day in 1979, a young Renee Scroggins imagined what it would be like if a UFO landed in the housing projects of the South...

A copy of Ears To The Ground on a light blue background

In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings

At its most cutting edge, dance music is a laboratory of sonic experimentation. Field recordings, foley and samples from the real world have long been...