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Results for: Arcadia London

The seminal tracks that changed dance music forever

Andy Cato met Tom Findlay through mutual friends after they both left college in the mid-‘90s. Andy was making trance and was in a couple of bands, while Tom was from more of a rare groove background, DJing in Manchester clubs when he was a student.

COMPLETE CONTROL: From deep tech house to delectable dub-wise treats, Maya’s productions ruled 2011...

If Maya Jane Coles narrowly missed out on the gong for ‘Best Breakthrough Producer’ in 2010, that just makes her scooping this year’s Best Of...

DJ Mag talk tunes, gigs and birthdays with the d&b duo.

2013 marks a special year for the London drum & bass and dubstep duo Chase & Status. Celebrating their 10th anniversary, the production couple of Saul Milton (Chase) and Will Kennard (Status) have delivered a sound that dips into breaks, hip-hop, dubstep, d&b and jungle since their first release ‘Like This’ on Vehicle Records in 2003.

With Dalston Superstore, plus Severino mix & interview

Celebrating a decade of love (and boxes), Lovebox return to East London's Victoria Park between the 15th and 17th of June for another massive weekend...

Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...

If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...

DJmag readers Laurence Salvietto and Micky Villar won our competition for a clubbing holiday of a lifetime to Pacha in Sharm el Sheikh. Here's their...

Day 1


The boys clearly enjoyed themselves

Wake up at 5.30am ready to embark on the adventure of a lifetime!

After a bumpy flight we...

Hitting the parties of WMC 2010

With Circo Loco hosting the official WMC Pool Party on Friday, we arrive at Eden Rock’s huge multi-levelled pool area to catch a huge line-up...

We chat to infamous breakbeat duo Stanton Warriors about their seminal mix/comp, 'Stanton Sessions Vol 1'

Mark Yardley and Dominic Butler, aka the Stanton Warriors, met at the Fifty First State garage label/studio complex in London in the mid-1990s, although they...

The latest and greatest DJs and producers rising to the top this month. From uplifting house and beguiling synths to thunderous techno, here's March’s 2019's...

CHLOËDEES

Stratford’s Chloëdees has been collecting records since her mid- teens, but also film soundtracks. Before then, aged around nine, she already had an interest...

We met him in London to talk about his dance epiphany, the importance of staying true to your vision, and giving his fans what they...

“Everything I do, I see myself as a bit of an outsider, I'm not strictly within the dance music world, I'm not strictly within the...

Manc colossus announces last ever season at Store Street and, true to form, it’s MEGA

There are few things on the UK clubbing circuit bigger than The Warehouse Project. A pumping season of diverse electronics covering the last three...

Over the years, has anything offered more sun-drenched hedonism than the Miami party season? Judging by the amount of bikini-ridden, buff-tan parties squeezed into Miami’s...

 

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Ministry Of Sound has been fighting to remain credible in the last few years. It's been struggling, but a change in its Friday night's music...

A lot has happened at Ministry Of Sound since it first opened its doors inLondon in 1991.

During the early 1990s, Britain's original superclub turned...

TSHA surrounded by flowers, shot by Nicole Ngai

London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy.  As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more

Across one bitterly cold weekend in February 2017, Ninja Tune’s revered live act Simon Green, AKA Bonobo, descended on South London for two sold-out performances...

Saul talks about his new album, collaborations and a hatred of pirates.

Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.