"We started a lot of the songs not knowing what was happening, not knowing where the world was really going,” Eno Williams says, talking about...
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Amon Tobin's evolved "Two Fingers" project
Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.
The aftermath
You may have followed the gonzo tweeting from our roving US reporter, Drew 'Drewzilla' Millard, on the ground at Ultra Festival, Miami, for 2011’s...
Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...
Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...
Features
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
Features
Youngsta is one of dubstep’s foundational figures, an integral force in shaping the genre from its earliest days at iconic club night FWD>>. A specialist through and through, he’s stayed true to the sound throughout its evolution, pushing the original minimalist style that’s now seeing a resurgence in interest. Delivering an On Cue mix of stripped-back dubstep ammunition, he also speaks to Rob McCallum about how the sound came to be, the vital impact of his sister, Sarah, overcoming addiction, and his hopes for the future
Features
Horse Meat Disco held their first party at what would become known as The Eagle pub in Vauxhall, London on New Year’s Day 2004. As their weekly Sunday night queer party grew, so did their international reputation, and they haven't stopped since. Here, Andy Thomas charts the soaraway success of the disco house collective over the last two decades
Features
Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...
Ed Rush & Optical are still big in the game. They may have gone through fatherhood and other projects individually, but when they come together...
Spend any amount of time with Ed Rush, be it five minutes or five hours, and he won’t stop talking — and not for one...
Sam Divine, Dennis Ferrer, Sonny Fodera...
When Simon Dunmore left his major label A&R job with AM:PM, the dance offshoot of A&M Records, to start his own independent dance label, even...
Ralph Lawson's Leeds house music institution 2020 Vision celebrates 20 momentous years...
Leeds house music institution 2020 Vision celebrates 20 momentous years in 2014. Here, label boss Ralph Lawson remembers two decades of one of the UK's...
Dirtybird take their low end theory on the road
If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style
After a life-changing epiphany at Nevada's Burning Man festival, dance music icon Carl Cox is back with a bang, with an incredible new two-CD mix...
Given his illustrious career, now into its fourth decade lest we forget, you'd be forgiven for assuming that Carl Cox was long past the point...
Features
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
Features
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
Features
From DIY imprints putting out 160bpm club bangers, forward-thinking electro cuts, twisted acid and rave sounds, through to big room techno's brightest stars launching...