It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...
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From their Berlin creative hub, production duo Âme — who made the evergreen house classic ‘Rej’ — talk about their record shop, distribution arm and...
Kristian Beyer and Frank Wiedemann, better known as Âme (that's pronounced 'arm', for the record, not 'ahh-may') often refer to their relationship as being like...
Jungle Brothers 'I'll House You' – produced by Todd Terry (Idlers, 1988) The JBs essentially added a rap to Todd's early house classic 'Can You...
Todd Terry started DJing around his home city of New York in the mid-'80s. “When I started — around '84, '85 — I was just...
Since teaming up a couple of years ago, Mumdance and Logos have been smashing it. Their diverse backgrounds complement each other nicely, and now their...
'Sankofa' is both a word and symbol native to the Akan language of southern Ghana that stands for the notion that it is OK, in...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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The latest and greatest DJs and producers rising to the top this month. From masterful footwork and radiant house, to striking Latin beats, eclectic electro, breaks and beyond, here’s March 2024’s list of upcoming talent you should be keeping track of
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South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
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Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...
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Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...
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California's rave history is rooted in outdoor free parties that celebrated psychedelic music and and unique environments. DJ Mag's Matt Anniss speaks to the Bay...
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Akala's Natives: Race And Class In The Ruins Of Empire is a fiercely honest appraisal of growing up poor and mixed race in broken Britain...
MC Akala, the stone cold power-fisted slayer of Charlie Sloth’s Fire In The Booth freestyle session, can also take down any quasi-righteous, over-privileged member of...
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During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
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Shocked by the spate of accidental opioid overdoses in the US clubbing community, DJ and producer Lauren Flax decided to take action. With the help of healthcare professionals and...
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Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...
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Conducta is helping to spearhead the new wave of UK garage. His on-point productions, genre-traversing DJ sets and Kiwi Rekords label have made him a...
The GRAMMY winner tells all...
Owner of music brand Fool’s Gold and youngest DMC champion DJ to this day, Grammy-winning producer A-Trak is a name that has rightfully earned respect...