As the festival calendar becomes increasingly saturated, party season never feels too far away. Plans are hatched throughout the year, as WhatsApp groups light up...
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The artists primed for big things in 2013!
If you thought 2012 was a fine vintage for speaker-cracking sounds, get a load of these lot. They're some of the cats who'll be making the dancefloor an intoxicating place to be this year. Serving up everything from deep disco vibes to subterranean bass darkness, these are the DJ/producers destined to make a splash in 2013...
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Growth of the festival industry shows no sign of slowing, but the sector faces more issues than ever before. Emissions and waste need urgent attention...
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Influenced by hip-hop and halftime drum & bass, Ivy Lab and their label 20/20 LDN have a new vision for future beats. With their debut...
"I didn't really want to do it. Why on earth would I want to hook up with two kids?" laughs Gove Kidao. One half of...
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
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Houghton Festival returned for the first time in four years earlier this month after surviving against the odds. DJ Mag’s Rob McCallum steps into curator Craig Richards’ musical world to rediscover a meticulously programmed audio/visual masterpiece
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Having made his name as a key figure in the bassline and drum & bass collective CruCast, Bru-C is now pushing himself further with a signing to the UK wing of iconic hip-hop label Def Jam. He talks to DJ Mag about the importance of keeping it real
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Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits
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‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
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Orbital’s eponymous debut album, also known as The Green Album, was released via FFRR in 1991. As part of our Solid Gold series, Ben...
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Lukas Wigflex and the team behind his eponymous party brand have offered the people of Nottingham countless opportunities to let loose over the past decade...
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96 Back sprints across a spectrum of styles in his electrifying Recognise mix, and chats to Kamila Rymajdo about his early diet of Actress and post-punk, finding confidence...
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Electronic music's subcultures have been documented by a host of photographers and archivists in the last four decades, and some excellent photobooks have been released...
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London label Alien Jams has been releasing music that balances propulsive dancefloor energy with extraterrestrial experimentation since 2014. Alongside a mix from its catalogue, founder...
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Released 20 years ago, Basement Jaxx's 'Rooty' is a paean to the adaptable power of house music, a ferocious mixture of musical styles kept in...
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Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...