Lady of the House has revealed the winners of its first production competition. The platform cofounded by Laila Mckenzie enlisted BBC Radio 1's Jaguar and...
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Jacob Van Hage gears up for London debut
Jacob Van Hage knows his beats. A percussive connoisseur, he's an inventor of unheard of drum patterns and as a DJ his selection is up...
We catch up with the Front Room artist
From his earliest beginnings as a techno-producer and label owner, to dropping slamming modern-day house grooves on Jesse Rose's Front Room Recordings or turning out...
"I never dreamt that when we launched this record label that we would receive hundreds of demos in only six weeks," co-founder Laila Mckenzie said
DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...
We drill down into the nitty-gritty of the 2015 placings, and congratulate this year's new No.1 act...
It's the poll everybody in dance music is still talking about. Love it or loathe it, DJ Mag's Top 100 DJs poll is still the...
An electronic music OG who's been repping dance beats since the '90s...
DJ TJR owned 2013. His bullying electro calling card 'Ode to Oi' stomped onto the playlist of every big name DJ out there. Somehow he...
Adrian Shala and Adrian Schweizer share where’s best to eat, shop and party in the Swiss city...
Adriatique have a massive summer ahead of them. On deck at Circoloco and 10 Years of Diynamic at DC-10 on the White Isle, as well...
Digitally Imported's full-blown dance music listening experience online
Internet streaming services are changing the way dance music is enjoyed by legions of dance music fans across the globe, offering a wealth of shows...
SpectraSoul drop 'The Retrospective Mix'
SpectraSoul have a reputation that’s second to none. A staple in the drum & bass scene for close to a decade, the duo are set...
Groove Armada
To the uninitiated, Groove Armada's return to making underground house music might appear something of a change in direction. It is, of course, nothing of the sort. Andy Cato and Tom Findlay have found themselves, thanks to a solid decade of commercial success, stuffed clumsily into all manner of pigeon holes; from dance-pop to pop-dance to chill-out to stadium-dance to ragga-dance and any number of other sub genres you might care to mention.