16th March 2021 marks the grim one-year anniversary of Matt Hancock’s statement to the House Of Commons that all “unnecessary social contact” across the UK...
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During a year decimated by lockdowns and venue closures, our need for sonic connection has sparked the resurgence of independent radio across the UK. Here...
Clubbing has a rocky history with being portrayed on the big screen. Those that get it right are a timeless snapshot of dancefloor experiences, whilst...
DJ Mag takes a look at legendary cosmic jazz adventurer Sun Ra
A HUNDRED years ago a man named Herman Poole Blount was born in Birmingham, Alabama. Although he would have disputed that, for not only did...
We meet futurist techno maestro Richie Hawtin for our ADE issue...
Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...
Recognise is DJ Mag’s monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak to...
Zozo’s approach to music is both earthy and otherworldly, organic and encyclopedic, political and hopeful. Standing at the core of Istanbul’s electronic music circuit for...
British-Ghanaian MC ShaSimone has had a whirlwind two years, featuring on a number one album, dropping her debut EP, and becoming a regular face on GRM Daily. She speaks to Rahel Aklilu about being impulsive, the influence of East London on her sound, and working with Mercury Prize-winning rapper Dave
Gorillaz’ 2001 self-titled debut laid the foundations for Damon Albarn and Jamie Hewlett’s animated outfit. With a rotating cast of collaborators and a genre-merging style...
Raves and Riots is an exhibition of Vinca Petersen’s work, currently showing at the Edel Assanti gallery in central London. Bringing together a collection of...
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom
More than a year after dancing stopped in Ibiza, the middle of 2021 sees a glimmer of hope. DJ Mag’s man on the White Isle...
Brought up near São Paulo, Brazil, the daughter of a club owner, ANNA has made her own destiny through a combination of perseverance and talent...
It was supposed to be her moment. After two decades of work, ANNA had caught the attention of Ibiza’s biggest names. She’d released her 2016...
We catch up Fatima to talk about the theme behind the album, her musical roots, and more...
Fatima Al Qadiri is as difficult to classify as her vast productions. She could simultaneously be deemed a visual artist, academic instigator, journalist (as a...
DJ Mag join frontwoman Cata Pirata and the band in Amsterdam to find out what exactly spurs their voyages across the atlas...
From their Amsterdam base, Skip & Die roam the world looking for fresh sounds to inject into their raucous global bass 'n' beats. And with their debut album 'Riots In The Jungle', they're not afraid of stirring a little insurrection. DJ Mag join frontwoman Cata Pirata and the band in their home city to find out what exactly spurs their voyages across the atlas...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today