Recently I've had several people ask me about my process for ripping vinyl. As a DJ and record collector who LOVES vinyl but HATES carrying...
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Steve Aoki is the EDM superstar that fans adore and haters love to hate.
He’s built a musical empire on DiY ethics, hard work, punk rock drive and lots and lots of cakes. As he prepares to headline the...
UK duo Dusky are this month's DJ Mag cover stars...
“There’s definitely a stigma attached to progressive house but someone like Sasha is one of the most influential DJs ever,” Nick states. “A lot of...
With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...
Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.
San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection
Nick Douwma presents his vision with new album ‘Torus’
Although he may take his sweet time to churn out a full length, Nick Douwma - more commonly known as Sub Focus – certainly knows...
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
In this excerpt from Ears To The Ground: Adventures in Field Recording and Electronic Music, author and DJ Mag contributing editor Ben Murphy explores the use of found sounds in dance music as a means of examining and expressing cultural heritage in our surroundings
The latest and greatest DJs and producers rising to the top this month. From jungle and Afro house to experimental dub and techno here's August 2022's list of upcoming talent you should be keeping track of
The CruCast collective has injected new life into bassline, playing massive venues, touring the world, and spreading positivity. As the major players tell DJ Mag...
DJ Mag heads to Belfast to take a tour around the hometown of rising DJ/producer Richie Blacker, whose music has appeared on labels like Skream's Of Unsound Mind and Anjunadeep
Major cities have long been the central hubs for dance music, in part thanks to their appeal to travelling DJs and fans. With coronavirus massively...
The dance music history of East Anglia is rich, multi-layered and messy — and little documented. Matt Anniss chats to some of the scene’s longstanding figureheads about the region’s airfield parties, seaside throwdowns and forgotten clubs, discovering a vital but rarely discussed stage in the UK’s rave evolution
Berlin-based modular obsessive and Berghain resident, JakoJako, shows Niamh O'Connor around her hardware-heavy studio, the famous local synthesiser store where she works, and her favourite place to grab a bowl of pho
It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...
“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...
Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...