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Photo of RIOT CODE wearing a blank tank top in a dark room, with a large beam of light shining around him from the back

Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds

It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...

Kaidi Tatham by Dan Medhurst

With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music

On a Saturday lunchtime somewhere in Belfast, Kaidi Tatham — DJ, producer, multi-instrumentalist and one-time member of influential production crew Bugz In The Attic —...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

As the UK looks toward the end of lockdown and the reopening of clubs and festivals, Giulia Bottaro speaks to nightlife workers from different parts...

Ollie Clarke is out delivering Amazon parcels around Bristol in spring 2020. He’s one of many new workers that Royal Mail hired during the beginning...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...

Dedicated to breaking down cultural binaries and taking on the music industry juggernaut, SOPHIE has obliterated the lines between underground dance music and commerical pop...

It’s a blistering afternoon in Ibiza, and the sun feels laser-trained on the Hard Rock Hotel, where the International Music Summit is taking place. The...

Knucks is leading UK rap's new wave

A rapper, producer and head of the No Days Off brand, Knucks smashed into the UK album charts this year with his ‘Alpha Place’ project, presenting his ‘chill drill’ sound in all its evolved glory. His triumphant homecoming show at KOKO in Camden saw collaborators like Stormzy, SL, Youngs Teflon and Ragz Originale join him on stage. Here, Yemi Abiade meets the Londoner to learn how there are now no limitations on his future

It’s late May in North London. The sun is setting with a burning intensity that only a summer’s evening in this concrete jungle can provide...

Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...

There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...

DJ Mag talk tunes, gigs and birthdays with the d&b duo.

2013 marks a special year for the London drum & bass and dubstep duo Chase & Status. Celebrating their 10th anniversary, the production couple of Saul Milton (Chase) and Will Kennard (Status) have delivered a sound that dips into breaks, hip-hop, dubstep, d&b and jungle since their first release ‘Like This’ on Vehicle Records in 2003.

We discover the story behind The Audio Institute & more...

“Welcome to the CNN of Haiti!” DJ Mag USA has just landed in Port-au-Prince, Haiti’s capital, and thanks to a combination of natural disasters and...

The most epic ADE yet

Steadily, with minimal fuss and no brash talk, the Amsterdam Dance Event (ADE) has built itself up into the premier global conference destination for dance...

Caterina Barbieri performing the Theatro Circo at Semibreve Festival

With a carefully curated line-up of adventurous electronic music, Semibreve Festival’s 12th edition delights in the interplay between hyper-detailed electronics and dancefloor-focused beats

The late, great Peter Rehberg, musician and founder of the experimental electronic music label Editions Mego once said: “If you want to make something noisy...

Fort Romeau press shot

For his first album in nearly seven years, Fort Romeau drew inspiration from past eras, and places that have lingered in his imagination. But, he says, he never lets nostalgia be a stylistic trap

It’s easy talking to Michael Greene. The English beat maker, best known as Fort Romeau, speaks in calm tones — warm, inviting and thoughtful, like...

In this regular feature, Selections, we invite DJs, producers and label heads to dig into their Bandcamp crates and share the contents of their digital...

Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...

With over 50 cuts of exemplary UK rap, drill and grime, producer and Croydon FM resident Nammy Wams steps up for the Fresh Kicks mix...