Here we go again, eh? It feels like the time between the closing bashes and the Ibiza opening bell rung annually by the International Music...
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Karim Molyneux-Berry has outlined his experiences of racism and harassment from colleagues at the Berlin club
A former PR manager for Berlin's Salon Zur Wilden Renate has detailed his experience of racism and harassment from colleagues while working at the club. ...
With a series of brilliant singles and a starring role on the new Juan MacLean album, Nancy Whang is an accidental dance music star...
“We would have just looked at it as a free trip to someplace cool,” Nancy Whang says on a steamy summer afternoon in New York...
Features
Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...
DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...
Last year was an incredible year for party boys Solardo. Playing over 200 high-profile gigs, traversing the globe like a well-oiled machine, the Manc lads...
The Solardo boys are standing by the canal in Haggerston, east London. They’re dressed in sharp black suits and bowler hats, a far cry from...
No one represents drum & bass quite like DJs Fabio & Grooverider...
Sure, there are other obvious contenders, but Fab and Groove were there right at the beginning. They didn't just sit at the table — they...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...
From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...
Features
Pirate Studios has given thousands of young producers and musicians affordable access to recording and DJ studios, encouraging collaborations, community and creativity. As an uncertain...
Fedde Le Grand looks back over his marathon summer
A regular headliner at festivals around the world, put your hands up for Fedde Le Grand. We caught up with the Dutch producer to ask about latest single 'Lion (Feel The Love)', find out his many influences and discover why he feels an affinity with duck-billed platypuses...
Features
DJ Mag Ibiza catches up with Arielle Free to discuss her debut residency on the White Isle, and her perfect weekend on the island
Features
As exam boards start to include DJing as part of their music GCSE, DJ Mag sent some legends of the artform back to school, and put...
Late for the school bus, boring assembly, double maths, a quick gossip or kickabout at lunch — followed by a music lesson playing banging techno...
The ragga jungle MC talks about his part in the jungle/drum & bass split
Twenty years ago, the jungle scene was in its infancy. The darker strain of hardcore pursued by artists like Goldie’s Rufige Kru, Andy C’s Origin...
The dance scene owes much to gay culture...
Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...
Features
Amidst the horrors of russia's war on Ukraine, local DJs, producers and music professionals have had their lives ripped apart, but many have passionately continued their work at home and abroad, using their experience to provide funds and direct aid to causes on the ground. Here, Tanya Voytko talks to artists from across the country about their personal experiences over the past six months, and to learn how they’re striving to preserve and promote their rich and diverse electronic music culture