When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...
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These two women are spreading their passion for electronic music and working to level the playing field through a program with Smirnoff that’s taken them...
Chicago’s dancefloors are second to none. One glimpse of the pulsing crowd that packs Smart Bar, the legendary no-frills club two blocks north of Wrigley...
Cassettes are more popular than they’ve been for years, opening up countless doors for dance music fans, producers and DJs. DJ Mag finds out why...
(Note: Since this article was originally published in January 2018 a new report showed that cassette sales in the UK have risen by 90% in...
UK duo Dusky are this month's DJ Mag cover stars...
“There’s definitely a stigma attached to progressive house but someone like Sasha is one of the most influential DJs ever,” Nick states. “A lot of...
Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies
Green Valley in Brazil experienced a double disaster last year. First came the COVID-19 pandemic, then the venue itself was destroyed in June by a...
Dimitri Vegas & Like Mike are the Belgian DJ/production sibling duo everyone is talking about. DJ Mag grabs a chat with them ahead of their...
American DJs love doing a bit of it. The Dutch are always at it. Danny Tenaglia’s been known to have a go. And lately, if...
More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom
The third artist in our Meet The MC video series is BackRoad Gee. An MC that needs little introduction after blowing up in 2020, he’s...
Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer
One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...
Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
Emerging technology, BODYHEAT, promises to make clubs more carbon neutral. Sophie Lou Wilson speaks to those behind it, the first club to trial it (SWG3 Glasgow), and others about how it works, as well as its potential and limits
Ukraine’s Nastia could be techno’s most outspoken DJ — a world famous artist who matches her razor-sharp skills behind the decks with an honesty on...
When DJ Mag meets Nastia in the lobby of her upscale Berlin hotel one rainy winter’s afternoon, she doesn’t smile, and almost looks a little...
When Dax J made worldwide headlines last year for dropping an Islamic call to prayer sample during his set in Tunisia, it looked for a minute...
'Public indecency and offending public morality'. Before April last year, those words probably meant about as much to Dax J as his name did to...
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?