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Flux Day & Night, Cocoon In The Park, Farr Festival, Sequences, Nozstock and Shine says goodbye to Mandela Hall...

Britain is in the midst of its best summer in years, so thankfully the Top 30 UK events in July 2018 afford plenty of opportunities...

An hour of gritty disco, rusted house and shrouded breaks from The Cyclist. We catch up with the Tape Throb innovator to talk punk, lo-fi...

Nothing sums up the work of The Cyclist quite like the name of his most recent EP. ‘Boards of Chicago’ was released via Italian label...

In late April, travel restrictions due to the COVID-19 pandemic left Almad, a DJ from Athens who founded the PlayHouse party series — which has...

Life is full of challenges. Often, they’re not one you expected, nor hoped for. But rising to these challenges, in most cases, makes you stronger...

Running the musical gamut from minimal techno to abstract hip-hop, dubstep to Baile funk, via ska, electro pop, house and Balearica, Sonar truly has something...

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Can Matt Edwards, aka Radio Slave, really do no wrong? Not content with simply knocking out the funkiest techno and most mind-twisting house with...

Director's Q&A plus news on Guy Gerber, Kerri Chandler, Skream...

The sun is set to stay in the sky as Iceland’s magical Secret Solstice festival draws near. Just few weeks out from their third edition...

RUN DMT rewires the sound of US bass

RUN DMT, aka bass music DJ/producer John Robbins, speaks to DJ Mag USA the week he's due to perform at Electric Daisy Carnival, Chicago. Preparing himself for a very busy year, his genre blurring productions, which take in trap, dubstep, and drumstep, have been released by tastemakers such as Play Me Records, Heavy Artillery, Dim Mak and Mad Decent.

The Cause event poster

The three-day event will feature 24-hour music across the resort

The Cause has announced a seaside festival at Pontins. The team behind the former (and much-loved) North London club, which closed its doors for good...

Brodanse spill the beans on working with the almighty Groove Armada...

“We met Groove Armada at a gig they did six months ago at Village Underground. They were 'big fans' (their words, not ours) of a track we...

During the pandemic, music tech thrived as the wider music industry fell to its knees. Declan McGlynn explores the possibilities and implications that stemmed the...

2020’s unprecedented upheaval brought with it fundamental changes to the creative industries. Theatres, clubs, studios, venues and festivals all closed their doors and with it...

As a DJ/producer of dark, harrowing sound, the head honcho of the multidisciplinary 6dimensions label, and founder of one the UK's most influential parties, LOST...

Steve Bicknell has been immersed in techno for close to three decades now. Having launched the legendary  LOST parties in 1991 with Sheree Rashit –...

South Uprising: Making the 'wrong' side of the river right

While Londoners often congratulate themselves on living in one of the most diverse, open-minded and multicultural cities in the world - a fact born out...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, Texas-born, New York-based...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

Press shot of DJ Premier in a black hat looking toward the camera in a t tshirt that says "Royalty"

For over three decades, DJ Premier has consistently proven himself to be one of hip-hop’s greatest producers. As he releases his new EP, 'Hip Hop 50: Vol 1', celebrating the genre’s 50th anniversary, he speaks to Arielle Lana LeJarde about evolving with the culture and the hip-hop/dance music connection

“I’m raised off being a fan first,” DJ Premier states clearly. “Before DJing, before producing or anything else, I’m a fan.” He sits across from...

Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...

Every drill scene has its transcendent track; one so potent that it blasts hyper-localised sounds out towards national and international listeners. ‘Don’t Like’, ‘Let’s Lurk’...