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Cosmic, psychedelic and extraordinary, Eric Volta's music is as far out as the man behind it. We asked the maker of 'Love Your Illusion' to...

In literature a 'volta' is the moment in a sonnet when everything changes — where the writer turns full circle, switching viewpoint. For Eric Volta...

The biggest beats on British soil...

This years British festival listings

KEEPING IT REAL...

Serato’s Scratch Live digital DJing software has been popular with DJs such as Jazzy Jeff, A-Trak, Felix Da Housecat and Bonobo. We explore why these...

Photo of the main stage at Ultra Miami on a turquoise and red background

We spotlight 10 sets at Ultra at the tail-end of Miami Music Week that you definitely cannot skip

Depending on when you last checked it out, Ultra Miami is not what you think. Once the reserve of chart-topping dance stars, EDM bigwigs and...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...

With his latest album, the artist proves his genre-defying feats have only just begun...

 

Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...

Chrissy

San Fran-based DJ and producer Chrissy outlines his guide for ripping vinyl so they sound full, loud and powerful on a club system. With tips and tricks around needles, preamps, turntables, software and file formats, it's a go-to guide for anyone who wants to digitise their record collection

Recently I've had several people ask me about my process for ripping vinyl. As a DJ and record collector who LOVES vinyl but HATES carrying...

The ESP Instituer Logo on a blurry grey blue background

Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems

Los Angeles’ ESP Institute has delivered over 120 releases since its inception 14 years ago – an impressive feat for a label that remains fiercely...

With tracks like ‘That’s The Way Love Is’ and ‘Right Back To You,’ Ten City’s 1989 debut album, ‘Foundation,’ set the standard for what vocal...

If songwriting and arrangement were as valued as sonic innovation in the history of dance music, then Chicago vocal house group Ten City would be...

New album and live dates from the Mancunian post-punkers

Formed in 1979 from the ashes of punk, and named after a Brian Eno lyric, A Certain Ratio’s influential blend of punk, funk, disco...

Sea change: exploring the Balearic-inspired beats of Poland’s Baltic coast

A new wave of Polish electronic artists are drawing from the country’s musical past and the atmosphere of its Baltic coast to create a fresh take on Ibiza’s Balearic beat. Ben Murphy speaks to artists, promoters, DJs and labels about this unique scene's development

“It’s all in the sea, innit? One of my friends was saying, back in the ’90s, ‘If the going gets tough, well, you can always...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

DJ Mag talks his new LP as Deadstock 33s & scores a first listen. 

Still brimming with the enthusiasm of a teenager who witnessed acid house's explosion, Justin Robertson's second album as Deadstock 33s is a dark, psychedelic voyage...

Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...

As 2019 drew to a close, Loraine James found herself at a crossroads. Buoyed by the success of her breakthrough album for Hyperdub, ‘For You...

Since its inception in 2016, Dublin Digital Radio has become a vital community outlet for many Irish DJs and producers, and has been of added...

For music fans that feel at odds with the algorithmic nature of streaming platforms, online radio is delivering an alternative source of music discovery and...