It’s New Year’s Eve 2023 in Belfast’s Bone Yard, and Oliver Grant is overthinking. After spending the previous two weeks restlessly rifling through his collection...
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Over the past three years, the name RIOT CODE has become synonymous with a strain of hard, fast techno, landing on labels like Noise Manifesto, HOMAGE and NineTimesNine and hammered out at parties like Teletech. Formerly a duo, the Derry-based project is now an individual venture for Oliver Grant, who’s ready to lift the trademark mask and take things to the next level. Alongside a storming Recognise mix that capture’s RIOT CODE’s past, present and future sounds, he speaks to Olivia Stock about going solo, navigating the techno scene as a trans artist, and what the future holds
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The votes have been counted and the winners in this year’s DJ Mag of British Awards have been announced
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Renowned DJ/producer Tom Middleton, who is now a sleep science coach too, shares his knowledge on how important sleep is to our mental health —...
Cover Features
The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
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Since electronic music’s early days, Wales has produced incredible artists, but is often overlooked in its history. Here, Dave Jenkins celebrates the unsung heroes of the scene and meets a new generation putting their national identity at the forefront of their music
She’s the Paris-based New Yorker who’s overcome the struggle of addiction and dance music industry tokenism to forge her own path. Louisa Pillott, aka LOUISAHHH...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
The Paris-based, NYC-born DJ/producer fronts this month's issue...
"Oh, I’ve done a lot of very different stuff,” LOUISAHHH!!! grins at DJ Mag across a backstage corridor. “I’m a certified cycling instructor, for example,”...
Josey Rebelle is a reluctant cover star. The North London DJ's career has been a real slow burn, building a loyal UK fanbase through her Rinse...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year has...
Features
Chicago's Hieroglyphic Being records one hour of fuzzy-and-jazzy live techno for the On Cue mix series, and speaks to Lauren Martin about surviving as an...
Features
The latest and greatest DJs and producers rising to the top this month. From forward-thinking and experimental techno to bracing house and bass, here's June...
TITIA
Rave is a full-time occupation for TITIA van Beckum. The Amsterdam DJ has rapidly risen up the ranks thanks to her DJ sets, which...
Dirtybird take their low end theory on the road
If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style
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The latest and greatest DJs and producers rising to the top this month. From rich, experimental techno and ambient to festival-ready house and trance, here's...
Features
Sound systems have driven the development of music in the UK, powered by hard work, passion and innovation. But preserving UK sound system culture, its knowledge and history, while also pushing it forward, is no easy task today. Ria Hylton traces its path through ska and reggae at blues dances in West Indian households, to soul, boogie, hip-hop and house in ’80s warehouses and at the Notting Hill Carnival, to nationwide tours and global popularity, and finds out how initiatives like the Sound System Futures Programme are seeking to secure its future