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Results for: Carl Cox & Friends

In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...

When UK Prime Minister Boris Johnson announced the government’s “roadmap” out of lockdown on the 22nd February — a series of dates over which COVID-19...

 

 

Charlotte de Witte has shot into techno’s upper echelons since assuming her real name for her productions and DJ slots. Initially using the male-sounding alias...

 

It’s 2017 and techno is bigger than ever. It’s a statement that could, of course, be applied to dance music overall, but this year...

TOKiMONSTA is the rare kind of artist who transcends genre — a producer who has worked with everyone from Flying Lotus to Skrillex and Anderson...

Jennifer Lee climbs up a set of stairs at Mack Sennett Studios in between a number of elaborate costume changes, during an all-day photo shoot...

The latest version of the popular DJ software makes bold claims around stem separation. But does it actually work?

Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...

We need to think about how we document dance music culture. It may seem odd saying this when there are so many magazines, podcasts, and...

ADE header

Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer

While ADE did go ahead in a scaled-down fashion at the end of 2021, it’s widely agreed by delegates at this year’s event that 2022...

Ron Trent sat at a table in a high rise building

Ron Trent has a deep understanding of electronic music. Beginning his production career in his teens, the venerated Chicago resident has travelled through techno, deep house and Afro house over the years. His latest album ‘WARM: What Do The Stars Say To You’, produced with a live band, demonstrates the duality of his work: it’s futuristic and somehow ancient, cosmic and aquatic. DJ Mag's Ria Hylton catches up with the Chicago house legend to learn more

In October 2019, Tama Sumo and Lakuti held a Your Love party in east London’s Moth Club, and somewhere in the final hours of the...

Nina Kraviz talks about Italo-disco, the RBMA, Detroit, Dance Mania, and her new label трип, as we lift the lid on her remarkable rise top...

When thinking of Siberia you're imagination is more likely to turn to endless tundra than techno clubs, the Russian region, which covers 10 percent of...

For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...

By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...

Alison Wonderland is on the verge of releasing her sophomore studio album, ‘Awake’, after an incredible 2017 that saw her debut at No. 89 on...

Alison Wonderland is serenading DJ Mag over the phone. We’re comparing tattoos, and this author only has one – a waveform from Modjo’s 2001 hit...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

The unstoppable Swedish House Mafia - Axwell, Sebastian Ingrosso and Steve Angello - bring their power-house to their new Ibiza residency. And right now it...

Ibiza, Pacha, 4am, and a night that’s already hit dozens of precipitous highs is launching itself upwards to its dizziest high yet. The dancefloor is...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

As we enter a new decade, the ways in which we define electronic music styles are rapidly changing. Chal Ravens explores the etymological evolution of...

Bickering over genre definitions is a time-honoured tradition in dance music. One of the weirder etymological developments of recent years is the changing meaning of...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...