In the modern world, it seems sadly inevitable that any female singer who experiments with dance beats will, at some point, be compared to Björk...
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The seminal tracks that changed dance music forever
As was the case in many towns and cities in the UK in the late '80s, a sizeable portion of the youth of Stafford were infected with the rave bug. More or less equidistant between London and Manchester in the West Midlands (18 miles south of Stoke-on-Trent, 16 miles north of Wolverhampton), Stafford became notable for spawning two of the rave scene’s most successful acts – Altern8 and Bizarre Inc. And then, later, Chicken Lips too.
Dance Mania transformed Chicago house from its '80s roots to a rough, raw, x-rated version that banged harder than anyone else. Now, after 13 years...
If Live Nation, SFX and Beatport owner Robert Sillerman is hoping to monopolize the world of EDM, then he may just be copying Daft Punk...
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DJ Mag’s Solid Gold series revisits and examines the ongoing significance and influence of inspiring electronic albums throughout history
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The Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his...
Multi-platinum selling producer, DJ to tens of thousands every week and EDM figurehead: Afrojack is undeniably one of global dance music’s biggest names. In a refreshingly frank interview, the Dutchman cuts through the crap and criticisms and discusses the EDM boom, the concept of selling out and gives us an insight into his upcoming album...
Danny Tenaglia's name rightly sends shivers down the spine of anyone who has been front, centre and soaked in sweat during one of his club...
100 years of electronic music
In March 1913 Luigi Russolo, the Italian futurist, stormed out of a classical concert in Milan and published an open letter demanding a new form of modern music.
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How Nicolette's ‘Let No-One Live Rent Free In Your Head’ mapped the future of electronic songwriting
On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music
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After first breaking through over a decade ago with bassline hit ‘Manny Man’, Manchester MC Murkz has returned revitalised with a new sound. Ahead of a...
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With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music
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Experimental, accomplished and downright epic, Marc Mac and Dego McFarlane’s 1998 classic served as a blueprint for the divine future possibilities of drum & bass music
1998 was a landmark, if slightly troubling, time for drum & bass. It was a year of shifting styles, sprawling albums, and new sub genres, one that saw...
The seminal tracks that altered dance music forever
“We loved electronic sounds, really,” adds Phil. “With synthesisers it was like, ‘What made that sound?’ It was that sort of search – for electronic sounds and drum machines.”
The seminal tracks that changed dance music forever
Andy Cato met Tom Findlay through mutual friends after they both left college in the mid-‘90s. Andy was making trance and was in a couple of bands, while Tom was from more of a rare groove background, DJing in Manchester clubs when he was a student.
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Peach Discs co-head Gramrcy mixes high-energy house, techno and percussive club sounds for the Fresh Kicks series, and chats to Eoin Murray about producing dance music that feels wild and fun, and some future plans for the label
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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With his DJ sets and productions that meld grime, techno, jungle and avant-garde experimentalism, Mumdance is one of the most original artists in UK dance...
Few DJs represent the spirit of UK dance music like Jack Adams does. A lifelong student of hardcore, drum & bass and grime, he is...