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With his new album, ‘Fragments’, on Ninja Tune, English electronic musician and DJ Bonobo has delivered his strongest, most versatile album since 2010's 'Black Sands'...

Sat on a sofa in the Ninja Tune offices, somewhere in Kennington, South London, Simon Green, aka Bonobo, is pondering the question of why his...

vinyl

Manufacturing delays and other issues continue to put a strain on small and independent labels. Taiwanese press plant Mobineko has unveiled a new pressing machine specifically for short runs, aiming to reduce the global bottleneck for vinyl production. Declan McGlynn speaks to Josh Doherty about the problems facing vinyl today, how the new machine works and what impact it could have on the future of vinyl

On the surface, the good news keeps coming for vinyl. Every year, new numbers are released showing the format’s strength and resilience continues. In fact...

Ireland’s drill scene has been blowing up since 2018, with homegrown rappers and producers putting their own spin on the world-conquering sound. Robert Kazandjian speaks...

Every drill scene has its transcendent track; one so potent that it blasts hyper-localised sounds out towards national and international listeners. ‘Don’t Like’, ‘Let’s Lurk’...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

Milan's mischievous crunk house tag team Crookers are primed to be the next dance music superstars. Prior to a momentous gig at London's top dance...

For time immemorial remixes have been the backbone of dance music. A great remix extends the life of a song, makes an average track into...

After almost 30 years — minus a couple of splits — operating as Orbital, Paul and Phil Hartnoll are back with their first studio album...

Orbital are back. Hooray! One of the most important electronic bands of the last 30 years have split a couple of times over the years...

Part of a collective of East London MCs pushing UK drill into new territory, V9 (pronounced Venom) speaks to DJ Mag's Rob McCallum about his...

It’s late on a Saturday evening in August and V9 is in the vocal booth at the Bermuda Music studio in North London. His engineer...

2019 saw dancefloors embracing fast, syncopated and experimental rhythms, with jungle breaks and sounds from the Global South invigorating DJs and producers across the genre...

Dancefloor trends come and go. Familiar genre tropes, motifs and tempos reinstate themselves as dominant themes in clubs and festivals big and small, while inventive...

DJ Mag attempts to find out just why he's so popular...

Mladen Solomun is a big chap. A big, bearded Balkan bombshell with a penchant for mashing up epic strings and sprawling synth-scapes with the odd...

It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...

“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...

Batu press shot surrounded by purple flowers

Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him

On a cool night in upstate New York in September 2019, the floorboards of a wooden hut at Camp Kennybrook are shuddering with bass. Somewhere...

How an adult version of Tetris kickstarted multiple musical revolutions 

How much credit can you give a tool for creating art? Surely it's like praising the paintbrush for a great painting, or the typewriter for...

Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone. 

Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...

Born in the UK in the early ‘90s, during a period of explosive creativity, the freeform breakbeats of jungle became the soundtrack to many producers’...

An avalanche of snare drums, sub-bass that pulverises your rib-cage, possessed divas wailing from the abyss; fragments of funk, shards of techno, dabs of dancehall...