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Results for: Closure

Known as the “queen of the Palestinian techno scene”, Sama' Abdulhadi was becoming internationally recognised as a powerful force in dance music until a gig...

When Sama' Abdulhadi was 13, the Israel Defense Forces came to her apartment block in Ramallah, the occupied West Bank, and took over the building...

From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...

Like dance music, rap has a tendency to splinter into specialised subgenres. Back in 2012, Chicago producers Young Chop, DJ L and Smylez began warping...

DJ Stingray is the Detroit electro pro whose razor-sharp mixing and production chops are the result of years of accumulated skill and knowledge. Now among...

There are many ways to frame the story of Sherard Ingram’s unique rise and stature as one of techno and electro’s most consistent, authentic and...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

ALOK

Alok is midway through his debut residency this summer — at DJ Mag's Top 100 Clubs winner, Hï Ibiza — after landing his highest place in our Top 100 DJs poll last year at No.4. DJ Mag Ibiza spent some time on the island with the Brazilian DJ/producer to discuss his new Monday night residency, his life on the island, and those magical Ibiza sunsets

Alok’s story is quite a remarkable journey. He’s the twin son of DJ parents who both had careers in dance music themselves, chiefly in the...

DJ decks

Even as pandemic restrictions have lifted, and clubs and festivals have returned, the spectre of coronavirus lingers for many due to the debilitating impact of long Covid. Here, Dhruva Balram speaks to people in the dance music industry about how the effects of long Covid, and a lack of understanding around it, have impacted them, and asks whether it should be recognised as a disability

“My energy levels have never returned to what they were,” says London-based DJ and broadcaster DEBONAIR. “I don’t have the muscle strength and energy that...

Collage of artists included in DJ Mag emerging artists feature for march

The latest and greatest DJs and producers rising to the top this month. From tripped-out rap and laid-back house to rapid-fire breakbeats and more, here's April 2022's list of upcoming talent you should be keeping track of

London-based An Avrin might have failed his sixth-form music tech course, but he’s been on a successful run with music ever since, with releases on...

vinyl

Manufacturing delays and other issues continue to put a strain on small and independent labels. Taiwanese press plant Mobineko has unveiled a new pressing machine specifically for short runs, aiming to reduce the global bottleneck for vinyl production. Declan McGlynn speaks to Josh Doherty about the problems facing vinyl today, how the new machine works and what impact it could have on the future of vinyl

On the surface, the good news keeps coming for vinyl. Every year, new numbers are released showing the format’s strength and resilience continues. In fact...

Kings Of Tomorrow

A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal

“I was visiting my cousin Jay,” remembers Julie McKnight of one special night in a New Jersey living room 20 years ago. “Sandy, the other...

Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...

Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...

Digital Holdings is the Bermondsey studios that's had artists including Headie One, Harlem Spartans, Zone 2, Carns Hill and SL all record music within its...

A street lamp flickers on an industrial estate. Two men exchange fist bumps outside a garage door. Inside, an impressive film studio is being prepped...

Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...

“The albums are a trilogy,” says Illenium. “That was my idea, which makes me wonder what I’m going to do next, but I’m not worrying...

The UK drum & bass scene has become overwhelmingly male and white. DJ Mag's Becca Inglis speaks to artists, promoters and label owners who are...

The push to close the “gender play gap” has accelerated this summer. At least 190 festivals have committed to booking 50/50 gender split line–ups by...

In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...

When UK Prime Minister Boris Johnson announced the government’s “roadmap” out of lockdown on the 22nd February — a series of dates over which COVID-19...

From the Minimoog to the Roland TR-808...

Some of the most important innovations in electronic music came about by mistake. Whether it be the way that Roland's TR-808 and then the TR-909...