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Disclosure covers DJ Mag USA... 

Howard and Guy Lawrence, the Disclosure brothers, show up for their promotional appearances the way you would for a job interview: professional and prepared. Fresh-faced...

Josh White and Matt Lowe, aka Hybrid Minds, have become one of the biggest acts in drum & bass by sticking to their liquid style and doing...

There are points in an artist’s career where they feel on top of the world. Moments when the years of hard graft at the unforgiving...

on a ragga tip xl recordings

Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story

‘Ey ey ba day ba wadladie day’ The opening lyrics to SL2’s ‘On A Ragga Tip’ immediately come up when you type its title into...

Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions,  Âme discuss...

Few tracks capture the exciting crux and flux of mid-2000s house and techno quite as succinctly as Âme’s ‘Rej’. A palpitating journeyman beacon flashing urgently...

Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...

Dancehall music has been the driving force in my career. As a DJ, I’ve played most if not all genres of music on radio and...

Radio header

The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines

UK independent radio is one of the most important aspects of DJ culture and the dance music scene. It plays a vital part in driving...

Jeddah-born, Dublin-based DJ Moving Still records a hi-NRG mix of edits and originals, and speaks to Gabriel Szatan about the thriving network of “Arabic electronic"...

As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...

Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...

Conversations around automation and DJing are tried-and-tested comment triggers — the ubiquity of the tedious ‘press play’ criticisms and ‘sync button’ debate attest to that. But...

In part two of this series, we explored the impact of AI in the studio, with assisted mixing tools from iZotope, right up to full-on...

The trance artist distanced himself from the group in June 2018, citing “mismanagement”...

Former Dash Berlin member Jeffrey Sutorius, has issued a second statement regarding his split from the longstanding trance group in June this year.

At the...

Huxley talks longevity, collaborations and steering clear of the pop-dance route...

The last few years have seen seismic shifts in dance music culture. Large swathes of the scene seem to have abandoned their heady underground ideals...

Funk-dripped drum & bass head plays us his most inspiring tracks

Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.

Kode9’s Hyperdub has been a critical force in shaping a more diverse electronic scene, both sonically and socially. Having weathered the loss of Chicago footworker...

Fifteen might be the anniversary that it is currently celebrating, but the most important number in Hyperdub land is zero. Stylised as Ø but pronounced...

Octo Octa in a red cut out top against a blue background

From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness

This feature originally appeared in print in the June issue of DJ Mag North America. It has been amended for online publication, due to two...

Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...

If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...