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Giorgia Angiuli is one of the most distinctive performers in electronic music, coupling quirky toys and powerful synths with her own voice and dynamic performance...

Why did you put together a live show instead of DJing?
"I've never played as a DJ. I had a classical education, I studied guitar...

Kings of the road

With the end of an era that came with the announcement that Technics were no longer making their undisputed industry standard turntables, the SL1200 and SL1210, a death knell rang. Finally, after so many years, all DJs have come to the realisation that vinyl is dead, right?

The DJmag Tech crew check out Stanton’s new four-channel rack-mount mixer, and find little to complain about...

We have been most impressed with Stanton’s mixers of late. Mixers like the M.207 have proved that Stanton understands the needs of DJs and can...

Stanton’s new M.207 mixer caters for the scratch DJs and turntablists out there.

Stanton is a household name among DJs, but it has been a while since they took a foray into the scratch mixer market. Well, all...

We interview the alternative electronic star

Gold Panda has been causing pandemonium in electronica circles since releasing his glistening debut album, 'Lucky Shiner'

Long-time disco and house producer and DJ Moon Boots recently revamped his tour to incorporate a full live show. We go behind the scenes...

On the eve of his latest album 'Bimini Road' on Anjunadeep, Moon Boots was hard at work re-imagining his latest release into a seven-person live...

If walls could talk...


If you’ve partied in Berghain...

The latest and greatest DJs and producers rising to the top this month. From the disco stylings of Frenchman Folamour to the heady techno sonics...

BONZAI
Future R&B for right now 
CASSIA O’REILLY (pictured above) aka Bonzai’s talents were spotted by ‘Love$ick’ producer Mura Masa. After moving to London and...

Flux Day & Night, Cocoon In The Park, Farr Festival, Sequences, Nozstock and Shine says goodbye to Mandela Hall...

Britain is in the midst of its best summer in years, so thankfully the Top 30 UK events in July 2018 afford plenty of opportunities...

A tribute to the life of NYC nightlife king, Rob Fernandez

Photo:Cheyenne Bosco

I can probably tell you a thousand stories about Rob Fernandez. From anecdotes of our youth in the New York City club scene...

Nova made history last year when she became the first grime artist to win Scottish Album of the Year. An MC who wears her heart...

From 2007 to 2012, London promoters Eat Your Own Ears hosted Underage Festival at Victoria Park. Open to young people aged between 13 and 17...

The sharp-tongued, genre defying, Asaf Borgore isn’t a “PC” social figure. However, we find out that what’s really on Borgore’s political agenda is to spread...

This guy must be an imposter. The laidback gentleman posing for the camera during his DJ Mag USA photo shoot in New York City can’t...

DJ Mag spends an evening with veteran house producer and maverick DJ Kerri Chandler. The force behind labels Madhouse, MadTech and Kaoz Theory’s home studio is bursting...

The lower floor of Kerri Chandler’s house looks like the backstage production labyrinth of a massive arena. Hallway after hallway, shelf after shelf, room after room, there are stacks...

Get To Know: Namesbliss

Get acquainted with Namesbliss, the Kliburn, London MC whose skill, authenticity and storytelling shines in his grime, drill and garage-inspired tracks

“I’m all for social commentary. We need to talk about the realities of what’s happening on the roads. But there’s a fine line between that...

The seminal tracks that altered dance forever!

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.