A new book authored by Matthew Collin will explore the evolution UK electronic music through the 20th century. Dream Machines: Electronic Music in Britain From...
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
When we speak with Nightwave, she has just spent the past week on a shamanastic Huni Kuin retreat in a Scottish forest. The Huni Kuin...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Dream Machines will trace the evolution of electronic music in the UK, from its avant-garde, post-WW2 beginnings to the dance music of today
From Paradise Garage to the Space Terrace, David Morales has played it all. His DJ sets and releases dominated dancefloors across the world for more...
You’re living in Europe now after a long stint in NYC. Why did you decide to move over?
“The quality of life is so much...
The single-focus charity aims to help people across the music industry as they continue to navigate the post-pandemic landscape
"We are in disbelief at this decision," organisers said
The Aussie duo break down their setup ahead of their US tour...
Set Mo's 2018 was a big one. Having drip-fed their debut album over 11 months, one track at a time, the LP got a full...
Read our latest UK cover in full...
Oliver Heldens is the latest Dutch wunderkind DJ/producer to go global. Charting at No.8 in the latest Top 100 DJs poll, the future house star...
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
Conducta is helping to spearhead the new wave of UK garage. His on-point productions, genre-traversing DJ sets and Kiwi Rekords label have made him a...
Is wealth and privilege damaging British dance music, and if so, what should we do about it?
WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein
Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...
The project will encompass a new studio space, academy and workshop programme, and an exhibition series
The seminal tracks that altered dance forever!
In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.
Let The Music Play: How R&B Fell In Love With 80s Synths explores work by Prince, Stevie Wonder, Herbie Hancock and more
The Warehouse Project returned for its final year at its “spiritual home” of Store Street last weekend. DJ Mag’s deputy digital editor Rob McCallum looks...
The UK club scene has changed hugely since the mid-noughties. The End is gone. As are The Cross, Turnmills, The Arches, Sankeys and countless more...