YouTube has apologised for wrongfully taking down popular livestream videos by the Lofi Girl channel over false copyright claims. Lofi Girl tweeted on 10th July...
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Results for: DJ Mag at Work
Recording techniques for artists on any budget revealed by Los Angeles producer, vocalist, and multi-instrumentalist, Justin Taylor Phillips, aka Crywolf
One never knows when or where creativity is going to strike. Limiting creation to the studio is confining - you really want to be able...
News
The Lofi Girl account tweeted: "We’re shocked and disappointed to see that there's still not any kind of protection or manual review of these false claims"
Features
With a mix of turbocharged jungle, footwork, R&B, dubstep and more, Zhao Dai Beijing resident and Equaliser co-founder Slowcook shakes up the Fresh Kicks series
Features
From frenetic breaks and jungle to percussive club cuts and pop edits, Bored Lord’s Fresh Kicks mix is an electrified trip into her communal sonic...
Features
Twenty years after it first lit up dancefloors around the world, Rui Da Silva and Cassandra Fox's No. 1 hit ‘Touch Me’ is transcending generations...
Features
Thirty years on from first opening its doors, Cavo Paradiso is a true destination club. Having made its name during the peak of progressive house, this Top 100 Clubs staple now caters for an international crowd. Martin Guttridge-Hewitt hears about the ups, the downs, and the secret to Cavo’s longevity
Tech
Pioneer DJ’s new CloudDirectPlay ushers in a new era for DJing
Features
Founded by Suraj Mandavia and Eugene Onyango, Kenya’s foremost Afro-house label, Gondwana KE, aims to take African electronic music where few have gone before. Alongside...
Features
Dr Rachel Gow used to be a club promoter in the ‘90s, before studying to be a nutritional neuroscience expert. She now runs the Nutritious Minds...
Features
EDM is a genre that swept the global club and festival scene - particularly in the U.S. - in the late 2000s, riding on a...
Features
The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines
Features
Infusing his art with aspects of his Caribbean heritage, and stories and messages aimed to drive political and social change, London rapper KAM-BU is a...
Features
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
Features
Nantes-based DJ, producer and Livity Sound affiliate Simo Cell jumps from bass-heavy club beats and breaks into rap, trap and back again in his hyperactive...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today