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Results for: DJ Mag insight

As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves

“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...

His anthemic tracks for Innervisions, Life and Death and his own BOSO label dominated club sets in 2014, and even made the UK Top 10...

“I'm a straight guy,” says Ten Walls, aka Lithuanian producer Marijus Adomaitis, also known as Mario Basanov, as he fixes his gaze directly across the...

Influenced by emerging electronic techniques and the rave scene, industrial outfit Coil's third album 'Love's Secret Domain' is full of trippy, drug-fuelled dichotomies and collaborations...

“I remember thinking, ‘What the fuck have we made?’” Danny Hyde says of Coil’s ‘Love’s Secret Domain’ — known as ‘LSD’ — which turns 30...

Slowly but surely, dance music in northern England is rebuilding, and the past year has encouraged some promoters to rethink how they can make clubs...

“The clubs are coming back, pass it on!”Like a whisper rippling through a crowd, excitement is mounting as venues prepare to reopen their doors. But...

TSHA surrounded by flowers, shot by Nicole Ngai

London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy.  As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more

Across one bitterly cold weekend in February 2017, Ninja Tune’s revered live act Simon Green, AKA Bonobo, descended on South London for two sold-out performances...

Plastician by Brynley Davies

Upstart tech like blockchain has been dominating discourse around the music industry's next steps and has become one of the most divisive trends of the past 12 months. Declan McGlynn speaks to Plastician about why he believes it's the future for independent labels, promoters and artists 

Plastician is a name synonymous with grime, dubstep and bass pressure in all its forms. He built his sound and rep as a host on...

Denver-based Illenium is the bass music star that sells out stadiums, but before he made music, he struggled with addiction. Around the release of his...

“The albums are a trilogy,” says Illenium. “That was my idea, which makes me wonder what I’m going to do next, but I’m not worrying...

Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...

Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...

Sea change: exploring the Balearic-inspired beats of Poland’s Baltic coast

A new wave of Polish electronic artists are drawing from the country’s musical past and the atmosphere of its Baltic coast to create a fresh take on Ibiza’s Balearic beat. Ben Murphy speaks to artists, promoters, DJs and labels about this unique scene's development

“It’s all in the sea, innit? One of my friends was saying, back in the ’90s, ‘If the going gets tough, well, you can always...

Bristol’s Livity Sound label has crafted a distinctive style and sonic blueprint, drawing from dub techniques but impossible to categorise. Celebrating a decade in existence...

In 2011, the dust from the dubstep explosion was still up in the air. The initial UK wave had split between a formulaic festival sound...

Growth of the festival industry shows no sign of slowing, but the sector faces more issues than ever before. Emissions and waste need urgent attention...

As the festival calendar becomes increasingly saturated, party season never feels too far away. Plans are hatched throughout the year, as WhatsApp groups light up...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...