Skip to main content

Search


Results for: DJ Minx

Daft Punk is dead, long live Daft Punk: the limits of a brand beyond the band

Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in

Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...

Tony Davis’ visceral photography doesn’t just capture what the UK’s early ‘90s rave culture looked like, it also manages to conjure up what it felt...

Photographer Tony Davis’ adult life has been dedicated to chronicling culture surrounding Northern Soul all-nighters, football terraces, football casuals, free party collectives and acid house...

Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...

As 2019 drew to a close, Loraine James found herself at a crossroads. Buoyed by the success of her breakthrough album for Hyperdub, ‘For You...

Kaidi Tatham by Dan Medhurst

With a discography that spans jazz, broken beat, hip-hop and soul, Kaidi Tatham's influence on UK music is untold, but often under-appreciated. With his new album, 'Don't Rush The Process', he’s stepping into the spotlight like never before. Sam Walton speaks to him about escaping pigeonholes, learning by ear, and looking for the ‘ouch’ moment in music

On a Saturday lunchtime somewhere in Belfast, Kaidi Tatham — DJ, producer, multi-instrumentalist and one-time member of influential production crew Bugz In The Attic —...

Known as the “queen of the Palestinian techno scene”, Sama' Abdulhadi was becoming internationally recognised as a powerful force in dance music until a gig...

When Sama' Abdulhadi was 13, the Israel Defense Forces came to her apartment block in Ramallah, the occupied West Bank, and took over the building...

From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...

Floating Bstrd is the illustration guise of Marko Vuleta-Djukanov, the Serbian artist who rose to prominence with work for the likes of Vladimir Ivkovic, Lena...

With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...

Sen Dog hated driving all the way to Gardena. But as B-Real was buying the weed, Sen begrudgingly agreed to drive him home after every...

Some high-profile DJs have been criticised for playing big, crowded legal shows — dubbed ‘Plague Raves’ — in Europe during the COVID-19 crisis. Some have...

As society has been tentatively emerging from various forms of COVID-19 lockdown over the last few months, each of us has been faced with a...

From his foundational work in drum & bass and jungle as part of 4hero and Reinforced Records, to his myriad production aliases and ongoing work...

Throughout 2020, like so many others, Dego spent months stuck at home. Unable to commit to his normal routine of studio time, he found himself...

Photo of Arushi Jain wearing a beige dress with glove details against a brown background

Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more

“I read this quote the other day that really resonated,” Arushi Jain recounts over a video call. “It was this idea that, without a practice...

Kuedo's widescreen synth futurism

Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional

The passing in May of composer Vangelis showed just how much influence the Greek synth pioneer has over electronic music. A BBC tribute showcased tracks...

Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...

Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...

How X-Press 2’s ‘Lazy’

Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit

“Who even writes a bloody dance tune called ‘Lazy’?” laughs Ashley Beedle. Fellow X-Press 2 founders Rocky and Diesel chime in with the chuckles, as...

As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves

“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...

In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...

When UK Prime Minister Boris Johnson announced the government’s “roadmap” out of lockdown on the 22nd February — a series of dates over which COVID-19...