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Results for: DJ Shadow

Press shot of John Summit against green leaves

The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far

It’s 6:25am and John Summit is still spinning fire. He’s in peak form as he delivers a dark and drilling after-hours set on the sports...

Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...

To get to the headquarters of one of America’s most successful dance music labels, you need to head into the suburban tracts of Los Angeles’...

From the Minimoog to the Roland TR-808...

Some of the most important innovations in electronic music came about by mistake. Whether it be the way that Roland's TR-808 and then the TR-909...

Dubstep figurehead Skream has gone euphoric, smashed the templates, and upped the tempos. His new album ‘Outside The Box’ confirms he’s not content to be...

Remember a few years back? All that hoo-ha about nu-rave? Which sounded so promising but proved to be nothing more than a few indie kids...

The cover of Voices From The Lake on a forest green background

First released in 2012, Donato Dozzy and Neel’s groundbreaking self-titled album as Voices From The Lake changed the landscape of ambient techno, and set a new course for minimalist electronic music. Rob McCallum learns how the ripple effects of its legacy are still being felt like a pulsating torrent today

It’s late summer 2011, and Italian artists Donato Dozzy and Neel are nearing the end of a three-hour drive spent listening to material they’ve recorded...

Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...

From the travelling of punters and touring artists, to the plastic consumption in nightclubs and festivals, all the way to the production of equipment and...

Clubbing has a rocky history with being portrayed on the big screen. Those that get it right are a timeless snapshot of dancefloor experiences, whilst...

Over the years, clubbing has been represented on the big screen through a variety of stories. Most recently, Beats captures the frenetic energy of the...

Throwing Snow’s prolific release log in 2018 has seen him veer from pummelling UK bass and half-time d&b to electrified techno and breaks. As the...

Ross Tones’ output strides a fine line between introspective and energised, often leaning hard on one side or the other, like a tightrope walker keeping...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

Photo of Cakes Da Killa sitting on the floor in an orange room

Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more

Rashard Bradshaw has always had a thing for the power and the beauty of words. “I loved reading and I loved poetry, just poetry in...

After Astroworld, what is being done to stop crowd crushes from happening again?

After the tragic events of Astroworld Festival last year, Will Pritchard examines the science, politics and history of crowd crushes at mass gatherings, and asks experts how organisers can make future large music events safer

There are few gulfs like that between the throes of a party and the aftermath of a tragedy. It’s an abyss Keith Still is familiar...

Rooted in the isolation and unpredictability of lockdown life, Loraine James' new album on Hyperdub, ‘Reflection’, sees her consider the political and social upheaval that...

As 2019 drew to a close, Loraine James found herself at a crossroads. Buoyed by the success of her breakthrough album for Hyperdub, ‘For You...

sbk shot by Sam Singer

In this month’s Meet the MC, Amy Fielding speaks with London-based artist sbk about coming up through the capital’s grime scene, his debut mixtape, and a new creative direction

At just 13-years-old, an MC going by the name of sbk sent an email to Lewisham artist and XL Recordings affiliate, Kwadwo Quentin Kankam, better...

Is wealth and privilege damaging British dance music, and if so, what should we do about it?

WORDS: Matt AnnissPICS: Nicola Nodland & Jillian Edelstein

Since acid house swept the UK 30 years ago and united a generation, British dance has proudly proclaimed its egalitarian credentials. Many believe that the loved up, misty-eyed utopianism...

Black and white image of a graffiti'd wall that reads "Kitchen Top Floor"

In the midst of the ruinous Thatcher era, Manchester’s Hulme Crescents estate became a haven for squatters, anarchists and acid house ravers, who converged in the hedonistic flat-turned-studio and after-hours club, The Kitchen. Kemi Alemoru speaks to former residents, DJs and familiar guests from the Madchester scene about the lasting impact this space had on the city’s cultural landscape

Welcome to Hulme Crescents, Manchester, an inner-city public housing experiment that, in the ’80s, became an amphitheatre of chaos and creativity. In this estate, acid...