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Results for: Dark Entries

Photo of Sepehr posing at a slight tilt, wearing a black leather vest

With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band

If anyone is going to be searingly candid about real life in the music business, it's Sepehr Alimagham Tabari. With his four-year-old label Shaytoon Records...

From the underground mixtape beatmakers, to those crossing over into the rap mainstream and drill scenes at home and abroad, Colin Gannon asks — who...

Like dance music, rap has a tendency to splinter into specialised subgenres. Back in 2012, Chicago producers Young Chop, DJ L and Smylez began warping...

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A FEW WORDS FROM CLAPTONE...

“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...

Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...

“I miss doing house stuff,” says Inês Borges Coutinho, laughing, a little frustrated. She’s not talking about music – thankfully, there’s lots of that. She...

Photo of colourful lights and a large crowd at Simple Things 2024

Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back

There’s always been a certain irony to Simple Things, in that, there’s nothing really simple about the Bristol festival at all. Its line-up sprawls across...

He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’

The collar that Martin Joseph Léonard Bresso dons while performing on stage as Tchami is a meaningful accessory. It is symbolic of the spirituality he’s...

During the early part of the pandemic, DJ and producer ZHU went on a road trip with his bandmates, recording his new album in remote...

Steven Zhu can’t sit still for long. It’s a characteristic that has always served the artist, better known simply as ZHU, quite well. Since he...

His anthemic tracks for Innervisions, Life and Death and his own BOSO label dominated club sets in 2014, and even made the UK Top 10...

“I'm a straight guy,” says Ten Walls, aka Lithuanian producer Marijus Adomaitis, also known as Mario Basanov, as he fixes his gaze directly across the...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

Dance music's renaissance man graces the cover of DJ Mag USA...

From new ventures in live performance to reunions with Digweed, fresh collaborations to the birth of a baby, the godfather of progressive is busy building...

The Covid-19 crisis has thrown up many problems for the manufacturing and distribution of vinyl. Bruce Tantum speaks to a selection of record shops, labels...

Most vinyl consumers probably never think about the path that their favourite new record has travelled. They scan the wall of their local shop or...

Miami's underground venues

We're all aware of the glitz and glamour of South Beach's many venues, but scratch beneath the surface of the Miami scene and you'll find a plethora of underground dens of iniquity at your disposal. Uptown, Downtown, turn the beat around! These are the coolest, off-the-radar spots worth popping into during WMC...

Our European choices...

NUIT SONORES

French Touch
So good, Floating Points named a tune after it — it's easy to see why. Nuit Sonores sprawls over five days...

With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.

Marco Faraone

Ahead of his appearance at DJ Mag’s Miami pool party, we chatted with the Italian DJ and producer about his journey in dance music and his approach to DJing

It is a relaxed, happy and enthused Marco Faraone who chats to DJ Mag via Zoom from a sunny terrace at his parents' house in...