The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...
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Free festival on August 2-3 featuring Moodymann, Kyle Hall, Delano Smith & more
words: REISA SHANAMAN
On August 2nd and 3rd, Detroit will be treated to a unique, unprecedented and totally free event, as Charivari Detroit takes over...
Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Features
Vinyl is back, but the format comes with a serious environmental cost. As the dance music world attempts to go greener, some companies are working out ways...
Features
With his new podcast, Queerly Beloved, Northern Irish DJ Cormac explores what it means to be a queer artist in dance music today. Interviewing contemporary figures about their histories of queer discovery, the Panorama Bar and fabric regular continues an intergenerational conversation surrounding the life-affirming moments, communal experiences and enduring challenges of LGBTQ+ expression. Alongside an On Cue mix packed with HI-NRG anthems and Italo house, Marke Bieschke learns more
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With tracks like ‘That’s The Way Love Is’ and ‘Right Back To You,’ Ten City’s 1989 debut album, ‘Foundation,’ set the standard for what vocal...
Features
South Africa’s biggest independent label is taking house music to new heights and changing the lives of local artists in the process. Alongside a mix of tracks from its catalogue, founder Kid Fonque speaks to Kitty Amor about the rise and rise of Stay True Sounds
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Drawing influences from rock music, weird films and the “creepier side”, TeeZandos is upending expectations of what a drill MC can be. With her star...
Features
Bristol-based Brazilian S.P.Y has just made the album of his career by looking back to early jungle. But as he explains, his recreation of the...
Everyone’s a junglist these days aren’t they? You’re a junglist. Your dear old dad’s a junglist. Even that nice little old lady next door and...
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Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...
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Jaguar, Charlie Tee, Sam Divine and Becky Hill will A&R the label’s first releases
Features
Having made his name as a key figure in the bassline and drum & bass collective CruCast, Bru-C is now pushing himself further with a signing to the UK wing of iconic hip-hop label Def Jam. He talks to DJ Mag about the importance of keeping it real
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San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’
DJ Mag Ibiza's cover star Carl Cox opens up...
Put simply: Carl Cox is the man. He's been the island's top dog for close to two decades, plus running respected techno imprint Intec Digital...
Features
Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
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As Cassius Select, the Toronto-born DJ and producer Lavurn Lee has spent the past decade crafting mercurial club music packed with bass and breaks. But on his debut album under his given name, he revisits the vocal-led experimental R&B of his earliest releases, revealing a more intimate side to his artistry. Alongside a Recognise mix filled with shadowy ambience and anxious beats, Dhruva Balram learns the story of ‘LAVURN’