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We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...

 

Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...

Mixed up in The Hague

It's impossible to overstate The Hague's impact on dance music. In the early '90s, this small city in northern Holland crafted a bastardised version of the sounds bubbling out of Detroit, a ravey mash of jacking house and techno that, at the time, sounded almost impossibly futuristic.

Selections: Elisa Bee

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Milan’s Elisa Bee spotlights slamming house, techno, acid and electro

Elisa Bee first appeared in DJ Mag back in 2017, when she delivered an entrancing blend of chunky house and rumbling techno for our Fresh...

We challenge Claptone with our list of straight shooter questions, and he takes them on with a unearthly ease...

Words: Joe Roberts

Hidden by a gold-beaked mask and top hat, Claptone is the mysterious deep house DJ and producer who has soared above his...

Rinse FM ring the changes with Richy Ahmed comp...

Once known simply as the bastion of underground, sub driven music, taking in everything from dubstep, grime and garage to hardcore and jungle, these days Kode 9's Rinse FM are expanding into every arena of electronic music – and beyond.

Long-time electronic overlord Sasha has summoned all his creative powers to unleash his most spellbinding mix compilation yet.

Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.

With his house-focused project Jack Back, David Guetta has returned to the sound that first got him fired up about dance music. In his DJ Mag...

On October 19th last year, David Guetta went out onto the main stage at Amsterdam Music Festival (AMF) in the Johan Cruijf f ArenA, where...

After a close encounter in a techno-themed Death Star, Richard Norris and Martin Dubka’s project Circle Sky was born...

WORDS: Declan McGlynn
PICS: Richard Stow

Duos are nothing new to Richard Norris. As one half of the hugely successful ’90s act The Grid, he...

We catch up Fatima to talk about the theme behind the album, her musical roots, and more...

Fatima Al Qadiri is as difficult to classify as her vast productions. She could simultaneously be deemed a visual artist, academic instigator, journalist (as a...

Amon Tobin's evolved "Two Fingers" project

Amon Tobin started out experimenting with a double cassette player and ended up piloting the world's most mind-blowing live show.

Photo of Cakes Da Killa sitting on the floor in an orange room

Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more

Rashard Bradshaw has always had a thing for the power and the beauty of words. “I loved reading and I loved poetry, just poetry in...

The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...

‘Pills ’N’ Thrills And Bellyaches’ header

Manchester's Happy Mondays drew influence from funk, house, and psychedelia to pioneer the Madchester sound. Here, Ben Cardew explores the lasting legacy of their 1990 album, ‘Pills ’N’ Thrills And Bellyaches’, which dropped in the midst of the Baggy takeover, and defined an era

Baggy/Madchester (the terms are largely interchangeable) is one of the most globally under-appreciated musical genres to have ever emerged from the UK’s musical underground. And...

Picture of Arielle Free wearing sunglasses and a stripey top

DJ Mag Ibiza catches up with Arielle Free to discuss her debut residency on the White Isle, and her perfect weekend on the island

BBC Radio 1 DJ Arielle Free has stepped up to the main stage this summer with her first ever island residency at David Guetta’s Future...