The passing in May of composer Vangelis showed just how much influence the Greek synth pioneer has over electronic music. A BBC tribute showcased tracks...
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NERVO’s journey has always been about the music, and while it hasn’t always been a smooth ride, everything they’ve encountered along the way has become...
words: ERIN SHARONI pics: ANDREW RAUNER
“Hi! We’re at the airport again!” Liv pops up on the Skype screen, holding her phone at arm’s length...
The Prodigy have defined a movement, a generation. Their new album is out today
“I think we should be a British institution. Everyone goes on about all of these other people from the '90s like Blur and Oasis, but...
DJ Mag talk tunes, gigs and birthdays with the d&b duo.
2013 marks a special year for the London drum & bass and dubstep duo Chase & Status. Celebrating their 10th anniversary, the production couple of Saul Milton (Chase) and Will Kennard (Status) have delivered a sound that dips into breaks, hip-hop, dubstep, d&b and jungle since their first release ‘Like This’ on Vehicle Records in 2003.
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Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
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Producer of soul greats, maker of classic house records, ordained Yoruba priest and avid live streamer, Osunlade has lived a remarkable life so far. He tells Ria Hylton how remaining independent has been vital to his creativity and career
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The latest and greatest DJs and producers rising to the top this month. From stomping techno and jazzy breaks to experimental reggaetón and melodic house, here's February 2022's list of upcoming talent you should be keeping track of
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On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
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Jungle pioneer M-Beat made some of the genre’s biggest chart hits, but disappeared from the industry in 1996. Having gone through hardships and been widely...
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Houndstooth mainstay Aïsha Devi has caused shock and awe with her wild live shows and mind-boggling releases. Yet, as DJ Mag discovers, her experiments with sound...
Aïsha Devi’s stare burns onto her machines with the intensity of a laser. To her back, left and right, a flickering, kaleidoscopic series of visuals...
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Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars
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The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
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Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
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Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.
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Released in 1997, μ-Ziq’s ‘Lunatic Harness’ mixed jungle and out-there electronica in a way few had heard before. Here, Mike Paradinas talks to Ben Murphy about the influences that went into creating this genre-meshing gem, and his new album 'Magic Pony Ride'