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Grum’s latest single 'Tears' has drawn its fair share of attention from the key players. Both Pete Tong and Annie Mac showcased it on their...

“Over the years, one of the things we’ve thought a lot about is that dance music has got this way of bringing lots of people...

The post-punk guitars, stripped-bare machine grooves and proper songs of album 'Dancers'. DJ Mag linked with Tim to talk stepping back from the dancefloor, originality...

Las Vegas’s dance music gold rush has seen buzzword clubs flip quicker than a winning hand at a hot table. But it’s Marquee Nightclub and Dayclub that’s gobbled up more column inches than any other. That’s down in no small part to the Who’s Who of DJ residents they’ve brought in. That, in clip-note form, is what’s brought us here today: a sit-down and pow-wow about Marquee, the universe and other things with one of their resident elite. Step forward Jeffrey Sutorius, DJ, frontman, mouthpiece and best-known-face of trance trio Dash Berlin. And a man it transpires that, like Las Vegas, has seen some boom and bust of his own.

When various music circles started buzzing in early 2010 about a Brooklyn duo that fused elements of the American jam-band aesthetic with ecstatic trance, we approached with due caution. Fast-forward over the past three years and, what could have potentially gone so wrong has gone so right.

Once known simply as the bastion of underground, sub driven music, taking in everything from dubstep, grime and garage to hardcore and jungle, these days Kode 9's Rinse FM are expanding into every arena of electronic music – and beyond.

This Take 10 feature could almost have been invented to showcase the Optimo duo's magnificently eclectic influences. Renowned for their legendary Sunday night sessions at the Sub Club in Glasgow in the nineties and noughties.

In recent times Pioneer have gone from a company that seemed to be ignoring the surge in demand for hardware controllers, instead concentrating on their CDJs and mixers to now becoming arguably one of the rulers of the roost in the DJ Controller market with options to suit every budget as well as all of the most popular DJ software titles around.

Some days you wake up and just have a blinder — for Dusky that blinder has been pretty much every day for the last year. It’s fair to say that the London duo have — in technical parlance — well-and-truly smashed it. Number #1 iTunes Dance Single of 2012? In the bag with the beyond-ubiquitous 'Flo Jam'. Radio 1 Essential Mix? Done, knocked off with style, and shortlisted for mix of the year. They’ve helped shift the paradigms for dubstep and house, had productions rinsed by everyone from Loefah to Calvin Harris, and killed it in Ibiza at DC-10. Ebullient and still humble, is it any surprise that Dusky producers Alfie Granger-Howell and Nick Harriman are loving life right now?

James Zabiela is a visionary and icon to many.

“Everyone wants to call dance music EDM these days but I call that shit that’s popular — you know, the cheesy stuff — I call it PDM,” says New York DJ Dennis Ferrer.
“That stuff everyone is going on about, it’s pop dance music. I take offence when someone calls my shit 'EDM' and lumps it in with all the crap. What I do is what I’ve always done, and I don’t like someone calling it anything else.”

The release of the CDJ-2000 shook up clubland’s DJ booths and changed the way many DJs the world over prepared and played their sets — as well as bringing Pioneer to the forefront of DJ technology once again.

Pioneer have just released one of the most intriguing and hyped pieces of DJ equipment — the Pioneer XDJ-Aero. It's not often that a product can live up to the expectations that this kind of hype generates, but Pioneer have outdone themselves and have managed to create something truly revolutionary with the XDJ-Aero.

Realising that Drums Of Death is not really under a voodoo curse, but actually a good-humoured chap from Scotland, is the grownup equivalent of acknowledging...