This quarterly update reports on the key D&I activity during Q2 2022, including our successes and areas for improvement. We committed to quarterly reports in...
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KEEPING IT REAL...
Serato’s Scratch Live digital DJing software has been popular with DJs such as Jazzy Jeff, A-Trak, Felix Da Housecat and Bonobo. We explore why these...
News
Our quarterly update, addressing how we can tackle racism and diversity issues within the electronic music industry as a publication
Features
In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...
Features
During a year decimated by lockdowns and venue closures, our need for sonic connection has sparked the resurgence of independent radio across the UK. Here...
Tech
You've probably seen the word MIDI all over your DAW – in her latest Beginner's Guide column Emma Davies aka E.M.M.A. explores what it is...
News
Strong growth across live and recorded reflects rocketing demand, but artists are finding bookings harder to get, and gender inequality remains widespread
Features
With a mix of minimal thumpers, trippy techno and deep, driving acid, Manchester’s Aletha steps up for the Fresh Kicks series, and speaks to Claire Francis about the formative influence of multi-genre festivals like Dimensions, her CITRIC party, and more
Features
Dublin’s Sputnik One blends bubbling techno, buoyant bass and depth-charge dancehall in his exhilarating Fresh Kicks mix, and chats to Eoin Murray about balancing groove...
Features
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, we catch up...
Anz tracks are like rogue fireworks: fusions of UK funky, electro and ghettotech, with flourishes of R&B, grime, and dancehall; all underpinning a versatile take...
Features
DVS1 is one of techno’s most well-respected DJs. He’s paid his dues, spent a couple of decades getting to where he is today, and it’s...
Tech
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Cover Features
A rapper, producer and head of the No Days Off brand, Knucks smashed into the UK album charts this year with his ‘Alpha Place’ project, presenting his ‘chill drill’ sound in all its evolved glory. His triumphant homecoming show at KOKO in Camden saw collaborators like Stormzy, SL, Youngs Teflon and Ragz Originale join him on stage. Here, Yemi Abiade meets the Londoner to learn how there are now no limitations on his future
Opinion
The first ever Boiler Room show in Valencia was the climax of the True Music: Hybrid Sounds tour, a partnership with Ballantine's tasked with exploring...
Valencia is excited. It's the first time a Boiler Room show has touched down in the Southern Spanish city. So the anticipation ahead of tonight's...
Features
Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions, Âme discuss...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...