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Cedric Gervais takes a look back with DJ Mag USA at his rap sheet of accomplishments and what to expect from the Grammy Award-winning producer/DJ this year... 

Actor. Producer. Label Manager. Miami. Big room house. Google any of these words and a few clicks down the rabbit hole you will...

The seminal tracks that altered dance forever

‘Killer’ started life as an instrumental, and it was only ever going to be one until I met Seal,” Adamski tells DJ Mag. “He came to [big rave] Sunrise 5000 at Santa Pod, although I didn’t meet him there. He walked in when I was playing and he had an epiphany.” Seal wanted to record with Adamski immediately, and Adamski — real name Adam Tinley — liked the sound of Seal’s voice from a demo of ‘Crazy’ that he’d heard.

New main room hero Deniz Koyu favoured by all the big boys

Rising star Deniz Koyu was born in Germany to Turkish parents, but now lives in Holland where he works closely with dirty Dutch star Fedde...

We explore the implications of the fire at Apollo Masters and ask, 'What's the future of vinyl production?'

On Thursday 6th February, a devastating fire burned the Apollo Masters factory in California to the ground. Luckily, none of the staff were harmed in...

10 tunes that inspired Codes

Cracking the proverbial cypher of sound isn’t as simple as say, remembering the code to your gym locker. Making it look stress-free is New York’s...

Get To Know: BRUX

Get acquainted with BRUX, the Sydney-born, Brooklyn-based DJ and producer with a taste for chaos, and noisy, energetic dance music

“I struggle with this,” admits the DJ and producer Elizabeth Maniscalco when asked how she describes the music she makes as BRUX. “It brings me...

On the history of dubstep and 'Fabriclive 61'...

Pinch, aka Rob Ellis, boss of the trail-blazing Tectonic Records, is one of a few heads in a unique position to dissect the...

We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...

This was the year many dance music scenes, industries and communities started to claw back everything that was lost in 2020. Elusive and secretive UK...

DJ Mag speaks to the club night’s key figures and plots the history of what may just be the final bastion of the acid house...

Maintaining the perfect blend of old skool rave and the finest contemporary leftfield sounds, as well as attracting one of dance music’s most passionate crowds, this year sees Bang Face celebrate its 10th anniversary.

It’s upon us at last. The long-awaited sequel to Trainspotting — the definitive cult film of the 1990s — is released this month, and we’ve...

Unless you've been locked in Berghain for the last six months, you'll know Trainspotting 2 — dubbed T2: Trainspotting — is set to pull into...

A shot of Themba performing with his hand in the air by David Montes

Themba returns to the island at a new home, Chinois, bringing a distinctive house and techno sound to Ibiza

South African DJ and producer Themba has become an Ibiza fixture in recent years, beguiling crowds with his lush house and techno mixes. After performing...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...

The artist's perspective

You can read our review of BPM 2013 in the March issue of DJ Mag (out 28th February). Here's a preview though; we love it...

The seminal tracks that altered dance forever!

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.