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Results for: Glastonbury 2020

Salute looking straight at the camera. They are wearing a multi-coloured fluffy sweater and leaning with their hands placed on a pool table

Vienna-born, Manchester-based salute’s DJ sets and productions shine at the intersection of garage, French house and ‘80s synth styles. Ahead of the release of their star-studded debut album on Ninja Tune, they tell Kamila Rymajdo about their musical upbringing, flying the flag for Black artistry, and their joyful sound that, simply, makes people feel good

salute is thinking about their legacy. “I want to make music not just for the sake of making music, I want to do it because...

In our new regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share recent additions to their...

Record stores and clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our...

Photo of the four members of Girls Don’t Sync in the booth together

Girls Don’t Sync are booting down barriers in dance music with their unrivalled energy and community-building ethos. Right off the back of their massive sold-out show at KOKO in London, and ahead of their sold-out headline show at The Warehouse Project in Manchester, they chat to Sophie Walker about creating a welcoming dancefloor, keeping things fresh, and inspiring others to follow their dreams.

Girls Don’t Sync have evolved at warp-speed over the past two years, compelled by a grounding ambition to embody the change they want to see...

Underworld ‘Dubnobasswithmyheadman’ CD case opened on a black baground

Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy

This feature was originally published in 2019 for the 25th anniversary of ‘Dubnobasswithmyheadman’ In 1994, live performances by UK dance acts were big news. Electronic...

Andy Barker was the only ever-present member of 808 State, alongside Graham Massey, the group a crucial component of the UK rave scene since its early days...

Andy Barker from Manchester acid house pioneers 808 State has passed away. The news was revealed via a statement on 808 State’s social media platforms...

As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...

DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...

Last year was an incredible year for party boys Solardo. Playing over 200 high-profile gigs, traversing the globe like a well-oiled machine, the Manc lads...

The Solardo boys are standing by the canal in Haggerston, east London. They’re dressed in sharp black suits and bowler hats, a far cry from...

Photo of Cakes Da Killa sitting on the floor in an orange room

Cakes Da Killa’s sound is always evolving — and his new LP, the jazz-kissed ‘Black Sheep’, is the latest step in the NYC-based rapper’s musical maturation. Produced alongside his longtime collaborator Sam Katz, it might be his best yet. Bruce Tantum learns more

Rashard Bradshaw has always had a thing for the power and the beauty of words. “I loved reading and I loved poetry, just poetry in...

Beatboxing header image

Since beatboxing first arrived on British shores from the US in the ’80s, the passion and innovation of UK acts have taken the art to unimaginable heights. Jak Hutchcraft charts the development of the scene, speaking to boundary breakers and educators, and finds it in ruder health than ever

DJ Mag is sat in Wembley Arena surrounded by thousands of singing children. We’re at a Young Voices event — the largest school choir in...

Mina

Joining the dots between sounds from the UK, Ghana, South America and beyond, Mina makes tracks driven by a spirit of collaboration, demonstrated in her...

Hot Natured have already dented the UK charts and sold out Brixton Academy in their first appearance as a live act. Now, with their debut...

Following the 20-year cycle of cultural revival, it's not just '90s fashions and sample libraries that have come back around onto dancefloors. Buoyed by America’s repackaging of dance music as EDM and pop’s perpetual shapeshifting, house music is finally back at the top of the charts.

We catch up with the enigmatic Superfreq as he celebrates 25 years in the game!

Mr C is an enigma. Celebrating 25 years in the game, the man born Richard West has played an integral part in the development of quality electronic music over the last quarter of a century or so.

DJ Mag heads to Ghana to explore a rapidly expanding, festival- driven scene that, while rooted on pop and traditional sounds, is beginning to open...

March is an important month in Ghana’s calendar; it’s when the West African country celebrates gaining independence from British colonial rule in 1957. The month...

TSHA surrounded by flowers, shot by Nicole Ngai

London-based DJ, producer and live artist TSHA has risen rapidly in the scene, and is receiving her flowers with grace. But it hasn't always been easy.  As she prepares to release her stunning debut LP, 'Capricorn Sun', on Ninja Tune, she speaks to Amy Fielding about overcoming online trolls, astrology, the art of DJing and more

Across one bitterly cold weekend in February 2017, Ninja Tune’s revered live act Simon Green, AKA Bonobo, descended on South London for two sold-out performances...

Batu press shot surrounded by purple flowers

Timedance label boss, innovative producer and a boundary-pushing DJ, Batu was on an upward trajectory — but the pandemic made him question his motivations and examine his history. With his debut album ‘Opal’ marking a bold new chapter in his sound, he talks to Chal Ravens about burnout, reinvention, heritage and contributing to the Bristol scene that nurtured him

On a cool night in upstate New York in September 2019, the floorboards of a wooden hut at Camp Kennybrook are shuddering with bass. Somewhere...