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Jeshi

East London’s Jeshi documents personal struggles, social contradictions and life’s day-to-day mundanities with a wry wit and relatable appeal. For this month’s Meet the MC, Rahel Aklilu speaks to him about the observational songwriting of his debut album, ‘Universal Credit’

"This is less of a big, brash political statement, which you’d expect because of the title, but rather a collection of observations from a man...

Our quarterly update following our pledge last year, addressing how we can tackle racism and diversity issues within the electronic music industry as a publication

DJ Mag has started working closely with Xilhu Ayebaitari, the AZ Mag grantee. We have been offering support and mentorship in this initial period by...

Get acquainted with the Stormzy-backed teenage star of Ghana’s Asakaa drill scene, Yaw Tog

Gideön is hosting a marathon shindig at Soho Radio to protest Donald Trump’s UK Visit in July...

Gideön is organising a 12-hour marathon protest party at Soho Radio on Friday 13th July, the day US president Donald Trump is visiting the UK...

Irish electronic artists to speak on importance of club culture at Berlin embassy

Sunil Sharpe, Cormac and ELLLL will all take part in the panel

Berlin's Embassy of Ireland will host a special panel event focused on the importance of club culture this week. The event will take place on...

DiY sound system

Throughout the ’90s, the DiY Sound System put on countless free events, ran a recording studio and two record labels, and took their hedonistic parties around the world. Here, Harold Heath speaks to co-founder Harry Harrison about his new book, Dreaming in Yellow: The Story of the DiY Sound System, and the collective's trailblazing legacy in the free party movement

The origins of DiY Sound System date back to a mid-‘80s England that was a very different place to how it is in 2022. In...

Major cities have long been the central hubs for dance music, in part thanks to their appeal to travelling DJs and fans. With coronavirus massively...

What a difference 12 months makes. This time last year you might have been making travel plans for Amsterdam Dance Event (ADE), getting final kicks...

The Marcus Intalex Music Foundation aims to be a new hub for Manchester’s electronic music scene. We head to the city for its inaugural series of...

“It’s an industry that can be quite difficult to navigate,” Nik Sinha says of the music business, when we meet in the loft of Manchester’s Gorilla, tonight’s party in...

To celebrate Avicii's birthday (Friday 8th September), DJ Mag counts down our favourite Avicii moments. From spinning at Sweden's royal wedding to that ultra-contentious interview with GQ...

 

When he donated a million dollars to US charity, Feeding America

Avicii donated a million dollars to US-based charity Feeding America in 2012, an...

We fire some questions at the Lobster Boy boss ahead of his DJ Mag Sessions in Wolverhampton on 28th May

For those who lived through the so-called ‘post-dubstep’ years, it was an exciting time merging various forms of bass-driven music in innovative and exciting ways...

Nicolette 'Let No-One...' album cover

On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music

In the modern world, it seems sadly inevitable that any female singer who experiments with dance beats will, at some point, be compared to Björk...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

The last decade has yielded some extraordinary innovations in dance and DJ culture. Below, we count down some of the most significant technological tools to...

It’s 2008. Armin Van Buuren has won the DJ Mag Top 100 DJs poll for the second year running. Gordon Brown has shakily taken the...

Radio header

The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines

UK independent radio is one of the most important aspects of DJ culture and the dance music scene. It plays a vital part in driving...