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Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

Go record shopping with DJ Bone at SeaWolf Records in Amsterdam, in the first part of our new vinyl-focused DJ Mag Originals series, Crate Diggin'

DJ Bone is the next artist to feature in our DJ Mag Originals series, Crate Diggin’, out on DJ Mag’s socials now. In the series...

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Rupert Parkes’ razor-sharp 1997 debut remains one of the crowning achievements of drum & bass. DJ Mag explores how this groundbreaking album used intricate programming...

For the last two decades, many drum & bass producers have been obsessed with being the loudest. But for a brief, glorious moment in the...

Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...

‘Grey Area’ is the most raw and direct record yet from Little Simz. DJ Mag talks to the MC and visionary about being in the...

As listeners to the best music in 2019, we’ve become used to the fact that the stuff we dig probably won’t find its way into...

Düsseldorf is a city steeped with a history of artists and clubs that have existed on the bleeding edge of alternative music – from Kraftwerk...

It’s 3am in the morning at a packed out Salon des Amateurs, and Vladmir Ivkovic is playing b2b with Toulouse Low Trax. The Belgrade-born DJ...

DiY sound system

Throughout the ’90s, the DiY Sound System put on countless free events, ran a recording studio and two record labels, and took their hedonistic parties around the world. Here, Harold Heath speaks to co-founder Harry Harrison about his new book, Dreaming in Yellow: The Story of the DiY Sound System, and the collective's trailblazing legacy in the free party movement

The origins of DiY Sound System date back to a mid-‘80s England that was a very different place to how it is in 2022. In...

J Dilla press shot

J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact 

D is for Detroit. D is for Dilla. D is for ‘Donuts’, the legendary 31-track collection that James Dewitt Yancey — aka Jay Dee, aka...

How The Chemical Brothers' 'Dig Your Own Hole' predicted the post-genre pop future

The Chemical Brothers' second album, 1997's 'Dig Your Own Hole', radiated ambition and adventure, and was their first to hit No.1 in the UK charts thanks to a string of landmark singles. Here, Ben Cardew explores how 'Dig Your Own Hole' altered the Chems' creative trajectory, predicted our post-genre pop future, and catapulted them to new heights

Note: this article was originally published in 2018 The Chemical Brother's second album, 'Dig Your Own Hole', was perhaps not the best electronic album of...

on a ragga tip xl recordings

Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story

‘Ey ey ba day ba wadladie day’ The opening lyrics to SL2’s ‘On A Ragga Tip’ immediately come up when you type its title into...

Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...

From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...

In the UK and elsewhere, there’s now a pathway towards a staggered reopening of clubs and festivals. But how have venues coped in the past...

When UK Prime Minister Boris Johnson announced the government’s “roadmap” out of lockdown on the 22nd February — a series of dates over which COVID-19...

With an IRL event impossible this year, the team behind Belgian mega-festival Tomorrowland created a revolutionary interactive virtual world in under three months. Here’s how...

Tomorrowland has never been one for subtleties. As the Belgian festival scaled up from more humble beginnings in 2005, the Boom location became an array...

How X-Press 2’s ‘Lazy’

Released in 2002, a dream collaboration between UK house heroes X-Press 2 and Talking Heads' David Byrne, ‘Lazy’ lit up clubs and the pop charts alike. Here, Dave Jenkins talks to the group’s Ashley Beedle, Rocky and Diesel about how the track transcended generations and genres to become a timeless hit

“Who even writes a bloody dance tune called ‘Lazy’?” laughs Ashley Beedle. Fellow X-Press 2 founders Rocky and Diesel chime in with the chuckles, as...