“The expectations on musicians are higher than they’ve ever been,” says Chris Clark. “And the payoff is lower than it’s ever been.”The producer and composer...
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As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves
We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...
Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
For long-serving Berlin techno queen Ellen Allien, a return to the physical — in both the way she plays and makes music — has re-energised...
She's been playing gigs in record shops, buying and playing lots of vinyl, and made her new album, 'Nost', using mainly analogue equipment. Her seventh...
Why are masks so popular in dance music?
“All great things must first wear terrifying and monstrous masks, in order to inscribe themselves on the hearts of humanity.” FRIEDRICH NIETZSCHE, Beyond Good and Evil...
Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story
During the pandemic, music tech thrived as the wider music industry fell to its knees. Declan McGlynn explores the possibilities and implications that stemmed the...
Birmingham-via-Berlin’s techno stalwart Rebekah has conquered her demons to become one of the most in-demand DJs and producers out there. Winner of our Best Of British Best...
It’s 1997 and a 17 year old Rebekah Teasdale is just finishing work at a French restaurant in the centre of Birmingham. With 30-odd pounds worth of tips...
Josey Rebelle is a reluctant cover star. The North London DJ's career has been a real slow burn, building a loyal UK fanbase through her Rinse...
Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today
Our new DJ Mag Originals video series, Meet the MC, launches today (4th March). As well as telling the stories of this crucial new wave...
Brexit happens early next year, but its impact upon musicians working in the EU remains unclear. We delve into the potential effects of the UK’s...
NOTE: This article is over two years old and some information may be out of date. Please refer to this feature, written in January...
We visit Norman Cook to get an insight on just why he's so popular in Brazil
Norman Cook welcomes the DJ Mag crew into his house in Brighton on the south coast of England, then nips upstairs to change into his...
Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity