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It's almost impossible to imagine the changes in dance music that Pete Tong has seen since he first stepped up to the decks as a...

“Despacio is happiness” reads a huge sign that looms overhead as you walk into the travelling audiophile soundsystem at the inaugural All Points East (APE)...

This issue we coax Hot Since 82 into the Hot Seat. Genial Yorkshireman Daley Padley, aka Hot Since 82, has hit pay-dirt since adopting the...

Nicole Moudaber is hooked on adrenaline. As a DJ, producer, label owner and promoter, she’s created a huge fan-base thanks to a constant schedule of parties...

For better or worse, 2016 has been a whirlwind year.

The world seems to have crammed about a decade’s worth of news into a mere...

Water is a human right, essential to our daily survival. In places where the human body is subjected to excessive heat, exercise, and dehydration —...

Dressed in black t-shirt and cap, garage don DJ EZ stands in stark contrast to the bright white walls of the south-east London studio that...

Barely a week goes by without some muso or other declaring the death of the mix CD. And you can understand why, given the proliferation of free mixes that pop up like pop-ups each and every day on the worldwide web. Once every four or so years, though, all that changes, people forget to argue and unite in appreciation of the form once more.

In the year since the #MeToo movement, those who were previously unaware have, at last, been waking up to the horrifying pervasiveness of sexual harassment...

“I love listening to a cool techno DJ, in a club, but if you go and see Swedish House Mafia DJ, for example, there’s no artistry involved. They are just getting behind the decks, with a finished CD, and pressing play then putting their hands in the air. This is something that is so wrong, because they get paid so much money for that.”