“There’s definitely something bubbling under in India,” FILM, aka New Delhi producer, DJ and promoter, Sanil Sudan, tells us when we catch up about his...
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Results for: Independent Music Awards 2020
New Delhi's FILM records a peak-time mix of broken techno and bass-heavy garage for the Fresh Kicks series, and chats to Joe Roberts about his cinematic debut album on Qilla Records, and elevating the new wave of Indian electronic musicians
Without bluster or overblown hype, Black Coffee has doggedly worked himself into the position of being not just South Africa’s foremost electronic music artist, but...
Far from the crowds of Ibiza’s resorts and the kaleidoscopic whirl of its clubs, on a tranquil outcrop overlooking the Mediterranean Sea, a man surveys...
Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
Ultra Naté’s house anthem ‘Free’ went from club anthem to international pop hit in the late 1990s. Broken by Louie Vega at the 1997 WMC...
Maya Jane Coles spreads her artistic wings wider with a new album under the moniker Nocturnal Sunshine...
Maya Jane Coles emerges from the gloom of her hotel lobby like a tiny beacon. She instinctively reaches her slim arms out for a hello...
Post-pandemic, as UK clubs have attempted to regroup, they’ve been impacted by soaring energy bills, rising costs and hesitant ticket buyers. Jack Ramage talks to club owners and promoters about how they’re weathering the storm, and asks what can be done to ameliorate the situation?
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
Coronavirus may have put a stopper on travel to the White Isle for the moment, but that doesn't mean you can't discover the pockets of...
Showcasing the diversity of sounds on offer in the Indian electronic music scene and inspiring a new generation of artists to get creative, boxout.fm Recordings has evolved from radio station to club night to vital label. Alongside a mix from its catalogue recorded by Mutable Mercury, founder DJ MoCity tells Safi Bugel about the platform’s journey so far
We shine a light on the names destined to have it large this year...
Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...
Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions, Âme discuss...
Born in Jamaica around half a century ago, dancehall music has found fans, artists and chart-topping success all around the globe in the decades since...
With music venues shuttered across the nation, and no timeframe for reopening, the future looks bleak for UK clubbing. DJ Mag speaks to venue owners...