Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...
Search
Results for: Inperspective Records
Exclusive studio access
How have you developed as an artist during your production and DJing career?
“That’s a tough question right away from the start, how have I...
With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...
Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.
Tech
"You have NO BUSINESS DJing if you can’t match two beats together, plain and simple. But DJing is not just about matching two beats together"
A few months ago, three-time DMC-winning turntablist and DJ Mag HQ alumnus DJ Craze raised eyebrows everywhere when he proclaimed that ‘sync is your friend’...
Features
Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
Features
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
There were plenty of great artist albums released in our scene this year, more than ably demonstrating how the long-player format is still crucially important...
50. Ellen Allien ‘Nost’
BPitch Control
49. Bjørn Torske & Prins Thomas ‘Square One’
Smalltown Supersound
48. Sense MC ‘The Elephant In The Room’
Diffrent Music
47. Beastie...
Features
Bristol-based Brazilian S.P.Y has just made the album of his career by looking back to early jungle. But as he explains, his recreation of the...
Everyone’s a junglist these days aren’t they? You’re a junglist. Your dear old dad’s a junglist. Even that nice little old lady next door and...
The dubstep/trance chameleon
Californian producer Jeff Montalvo, aka Seven Lions, has merged trance sonics with dubstep beats 'n' drops to forge his own deadly, big room subjugating sound — and he's poised to roar into the upper echelons of dance royalty in 2013...
Features
This evergreen breakbeat hardcore missive influenced the likes of The Prodigy and the whole of the early UK rave scene. Ben Murphy charts its story...
“I saw that record go from street level and get bigger and bigger, and there was no video for it, no promotion, nothing,” says Renegade Soundwave’s Danny...
Features
From: Warsaw, PolandFor Fans Of: SPFDJ, Courtesy, I Hate ModelsThree Tunes: ‘Bring The Noize’, ‘Sober Raving’, ‘Versatility’
One of the most exciting DJs from the new wave of high-speed and industrial techno artists, Martyna Maja, AKA VTSS, has been carving a niche...
News
The reissue comes with remixes by Seth Troxler, Carl Craig and Ardalan
Tech
We go behind the scenes of Laurence Guy's live show, set-up and performance approach
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
News
Yo Van Lenz and Florian T M Zeisig (also known as the ambient duo OCA) and LSDXOXO are the LP's two main producers
Is nothing original anymore?
There are so many nonsensical phrases that people love blindly bandying about. You know the ones, the proverbial drivel that people throw around in states of cod-philosophical self-approbation, even if it actually makes about as much sense as Joey Barton’s Twitter feed.