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Results for: Joy Division

A trained jazz musician, bandleader and DJ, Emma-Jean Thackray couldn’t find a home for herself and her music in more established jazz spaces, so she...

A couple of hours into a conversation that has already covered Miles Davis, John Coltrane and Parliament-Funkadelic, Emma-Jean Thackray brings up Marcelo Bielsa, the eccentric...

On the heels of announcing a new album due out later this year, German artist Monolink chats to DJ Mag about his musical history and...

Monolink, known to friends as Steffen Linck, is in the middle of a studio session, working in a complex filled with studios in his home...

With three decades as one of house’s biggest names under his belt, Roger Sanchez has seemingly lost none of his enthusiasm for the music that...

On a recent humid evening in Brooklyn, on the rooftop of the Bushwick club Elsewhere, a few hundred revelers let out a collective ‘whoop’ as...

Claude VonStroke and his Dirtybird label celebrate 15 years with the wind beneath their wings this year. To mark the anniversary, the label head is celebrating...

To get to the headquarters of one of America’s most successful dance music labels, you need to head into the suburban tracts of Los Angeles’...

The Drumcode boss lays it all out in a candid interview...

 On the eve of Drumcode’s 20th anniversary, Adam Beyer sits down with DJ Mag to talk about his label, his family, and what’s possible...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.

“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”

With a punk attitude, impressive live shows, and an ever-shifting psychedelic yet dancefloor-friendly sound, Red Axes have brought a breath of fresh air to the...

"When the sun is shining, life can be really dark,” says Dori Sadovnik, one half of Israeli gothic dance duo Red Axes. He’s talking about the...

The Sound Of: Critical Music

As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution

“I started the label as a hobby and didn’t know where it would take me. So when I look back and think about everything we’ve...

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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...

DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....

Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...

Photo of Sepehr posing at a slight tilt, wearing a black leather vest

With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band

If anyone is going to be searingly candid about real life in the music business, it's Sepehr Alimagham Tabari. With his four-year-old label Shaytoon Records...

Photo of Marcia Carr DJing on vinyl, holding a record sleeve in one hand and singing passionately

Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story

“There were times, I can’t do it now — don’t even ask me — where I ran up walls and did backflips.” On what feels...

Science fiction has long been a muse for techno producers, but three acts – Lost Souls Saturn, Mat Playford and A Sagittariun – are taking...

"It wasn’t designed to be dance music, it was designed to be a futurist statement.” So said Jeff Mills on the subject of techno back...

One of the first legal UK mega-raves to bring dance music culture to the masses was Fantazia. With its emphasis on spending big production budgets...

By the early ’90s, dance music in the UK was already a complex beast. US house and techno cross-pollinated with synth-pop, rare groove and soundsystem...