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Results for: Juke

The latest and greatest DJs and producers rising to the top this month. From haunting experimental sound design and rare funk to lush drum &...

We fire some questions at Happy Mondays singer Shaun Ryder...

The influences that have made the Circus man into the artist he is today...

01. RUFUS & CHAKA KHAN 'Ain't Nobody'

“A record I first heard as part of the soundtrack to Breakdance: The Movie (Breakin'). I was...

DJ Mag soaks up the atmosphere...

As the curtain falls on the 52nd edition of Southport Weekender, Masters at Work drop Harold Melvin & the Blue Notes ‘Don’t Leave Me...

Oliver Heldens gets candid about his haters and evolving future house

The electronic world's most jet-lagged artists and their management teams adorned in the predictable head-to-toe black attire descend upon the artist mansion (aka fancy horse...

Gavin and Robbie Hardkiss take a trip down memory lane with new album '1991'...

It's safe to say that without Gavin, Robbie and Scott Hardkiss, the early '90s electronic music scene in San Francisco would have been very different...

Spanish DJ/producer UNER — who's created this month's exclusive DJ Mag download card mix — is one of the hottest names in house right now...

“I never actually came to Ibiza as a clubber. I had some offers in the past to come out before I did, but I wanted...

We decided to find out where their sound comes from — and what rattles their cages...

In 2011, a run of hand-stamped white labels announced the arrival of yet-another anonymous techno project. Going by the name Dense & Pika, the unit...

Willie Burns is the New York house producer everyone's raving about...

Willie Burns comes from the fringes. The US producer’s releases for Trilogy Tapes, L.I.E.S, Crème and Rush Hour have seen his left-of-centre house, techno and...

Double O and Mantra stand side by side on a dark, green-light background, Mantra's arm on Dubz shoulder

More than a club night and record label, Rupture has become a nexus point for the global jungle/drum & bass community, helping to galvanise a new generation while re-energising seasoned heads. Founders and life partners Mantra and Double O tell DJ Mag’s Ben Hindle about its evolution, and the importance of championing inclusivity and musical freedom

It’s early April and nearing 8am at East London nightclub, FOLD. The spirited vocal of DJ Vibes & Wishdokta’s ‘Midsummer Mist’ is cutting its way...

The dance scene owes much to gay culture...

 

Earlier this year, Lithuanian producer Ten Walls was riding on a wave of global love with his big-room smasher ‘Walking With Elephants’. Then, in...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

Leslie delivered the most educated, informed and damning defense of the evening...

fabric had its licence revoked in the early hours of this morning (7th September), at the end of a licensing hearing that saw Islington Council...

We chat to the UK dance king Eats Everything

Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...

With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.