Subscriptions are everywhere, whether we like them or not. In fact, a report ominously titled The End of Ownership in 2020 said that 78% of...
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Results for: Kareem Ali
DJ Mag travels to High Contrast's home city of Cardiff to meet the film-obsessed DJ/producer...
Lincoln Barrett really loves movies. Invited into his spacious house in the town of Penarth, minutes from central Cardiff, it’s impossible not to notice the...
One of the most innovative, groundbreaking producers in electronic music, Squarepusher pushed the jazz/jungle fusion envelope into outer space in the mid-'90s with his 'Squarepusher...
It could have been his junglist garage pastiche ‘My Red Hot Car’. Or it could have been the burning 303 d&b of ‘Vic Acid’. In...
Beardyman is turning music making into a sport with his One Album An Hour show...
He's a funny sort of bloke, is Beardyman. Quite literally; a career founded on quick wit, and what he describes as the “inherently silly” art...
The Bristolian bass merchant speaks out on his late success, and his plans for the Miami 2013!
The last 18 months have seen Bristol’s Eats Everything seemingly come from nowhere to land international success as a DJ and release a string of well-received productions on top labels such as Dirtybird and Pets Recordings. As he prepares to play at one of DJ Mag’s renowned Miami parties at WMC, he talks candidly about Transatlantic crowd-pleasing, his upcoming raft of collaborations and how his success has, in truth, been anything but overnight...
DJ Mag talks to electronic music legend Giorgio Moroder about producing this enduring, game-changing disco classic...
One of the most prolific and pioneering electronic music composers of the '70s and '80s, Giorgio Moroder was born in Italy and started playing guitar...
Houghton, Hide & Seek, We Out Here...
Bound for hell in a homemade vessel the UK may be, but at least this month gives us plenty of opportunities to go out dancing. ...
Junction 2, Inner City Electronic, DJ Kicks Tour, Gottwood, Wigflex x Multimodal, AVA Festival...
If last month's choice selections didn't make it clear already then the Top 30 UK events in June 2018 certainly will. It's now festival season...
As subscription models have begun to make their way into our DAWs, we look at the three different models for using plugins — outright ownership, continual rent, and rent-to-own. Here, Declan McGlynn asks: are subscription models better for producers? And are we heading towards an even heavier onslaught of abundance over efficiency?
A trained jazz musician, bandleader and DJ, Emma-Jean Thackray couldn’t find a home for herself and her music in more established jazz spaces, so she...
Renowned DJ/producer Tom Middleton, who is now a sleep science coach too, shares his knowledge on how important sleep is to our mental health —...
As one half of the duo behind behemoth label and party series Solid Grooves, UK DJ and producer PAWSA has been a quiet but powerful...
Daft Punk have taken on a robot form for so long that it's hard to remember a time that they didn't don their famous helmets...
South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound
Durban’s DJ Lag is a pioneer of the world-conquering South African dance music genre, gqom. He’s toured the world and worked with superstars, but he’s...
Rotterdam's IMANU crafts tracks and DJ sets that do away with genre, choosing instead to surf through styles, tempos and textures with a focus on emotional impact. Alongside a hair-raising Recognise mix, he speaks to Ben Hindle about changing up his production process, taking creative risks, and visualising his sound