The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...
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When is a band not a band? We aim to find out...
When is a band not a band? When it’s one or two electronic music producers recording albums that sound like bands? The dividing line between...
Krewella explain once and for all why they will always be a sister act.
“I see us as two dirty trolls.” Jahan Yousaf is kicking it with her sister, Yasmine at home in LA. Hailing from Chicago, the Yousaf...
We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...
Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...
Swedish DJ/producer Axel Boman's name crops up on all the best festival and club line-ups, DJ set lists and label discographies. His imaginative, freaky tunes...
Axel Boman is “trying out a new look”. He’s wearing an all black turtle-neck jumper and floppy black cricket cap, but he’s not sure it’s...
Is being fit and healthy mutually exclusive from the hedonistic world of dance music? Or can exercise and late-night club culture happily co-exist? DJ Mag...
DJ culture has long been synonymous with a lively hedonistic lifestyle: late boozy nights, early mornings, days and weeks touring on the road — a...
In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks
DJ Mag visits French producer Madeon in his LA home to learn about his meticulous process, and why he’s happiest when he’s working
Wellies at the ready, it’s time for a festival (or three)! The summer has returned, or at least as much as it ever does in...
SULTA SELECTS FLY OPEN AIR
WHILE his penchant for dropping the odd cheesy banger has divided fans online, Denis Sulta is unarguably a top DJ...
With the festival phenomenon showing no signs of slowing down, there’s something on offer for everyone in the UK this season...
Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
The latest and greatest DJs and producers rising to the top this month. From soulful house and hammering techno to electropop, bass and beyond, here's October 2022's list of upcoming talent you should be keeping track of
DJ Mag catches up with three of UK rap and drill’s most active and influential engineers — Manon Grandjean, Dukus and Sean D — to...
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?